A Quote by T. J. Miller

I find Denver's hipster scene to be fully unique. — © T. J. Miller
I find Denver's hipster scene to be fully unique.
I'm so absolutely pro-Denver. I wrote a fake hip-hop song about Denver. I've been claiming Denver. Part of the joke of the song is nobody was really claiming Denver - no rappers, no comedians.
It was with 9/11 that I came to fully appreciate and embrace NPR's irreplaceability as a sanity preserver, its unique virtues as first responder on the burning scene.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
I'm very attached to Denver. I really love this city. Denver will always be special.
Like Hipster Racism, Hipster Sexism is a distancing gesture, a belief that, simply by applying quotations, uncool, questionable, and even offensive material about women can be alchemically transformed.
Eh. Hipster's not really a thing anymore. Plus, hipster or out of touch old dude? Same uniform really.
'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
You got this new breed of hipster chicks and hipster men that don't understand anything about sacrifice. They didn't lay it on the line. People like Cat Power, Tom Waits, they are the last of the beats, the real true philosophers.
I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
In our case, finding a Lucy is unique. No one will ever find another Lucy. You can't order one from a biological supply house. It's a unique discovery, a unique specimen.
Hipster Sexism consists of the objectification of women but in a manner that uses mockery, quotation marks, and paradox: the stuff you learned about in literature class. As funny as Dunham's 'Girls' is, it can definitely border on Hipster Sexism.
I've never really been schooled in music theory. I'm a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it's more unique that some other people.
Occasionally, as an actor, you're not... Sometimes, at least for me, I'm not fully in the groove until the second or third take, in which I would not want to just stop. If it's a scene that takes a lot of work and time, sometimes the scene gets better with time, and sometimes it gets exhausted. I think it just depends on the scene.
The exploitation and superficiality of mainstream America is the object not of [Bob] Dylan's hipster scorn, but of an apocalyptic parable of holy fools and righteous thieves - the kind of imagery that Dylan's later work would explore more fully.
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