A Quote by T. J. Perkins

I could program the VCR when I was really young. — © T. J. Perkins
I could program the VCR when I was really young.
The program of the ruling elite in Orwell's 1984 was: "A foot stamping on a human face forever!" This is naive and optimistic. No species could survive for even a generation under such program. This is not a program of eternal, or even long-range dominance. It is clearly an extermination program.
You might be a redneck if...you bought a VCR so you could tape wrestling while you are at work.
When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music.
I have two young kids. So my VCR, like, you kind of have to sift through a lot of, like, 'Animal Mechanicals,' 'Mickey Mouse Clubhouse.'
I really believe that you can. Not only do I think it is a part of public service to help young people find their way, just as professors had helped me find mine, but I've been very involved in K-12 education issues. I started a program back in 1992 called the Center for a New Generation, an afterschool enrichment program.
Passion is a young man's game. Young people can be passionate. Older people gotta be more wise. I mean, you're around awhile, you leave certain things to the young. Don't try to act like you're young. You could really hurt yourself.
It's important that the art forms communicate, whether it's the dance program with the jazz program or the classical program with the opera program, that these conversations becomes fluid.
I was a member of the VHS generation. I used to study movies as a kid because I had a VCR and could record a movie on HBO and just watch it repeatedly.
I decided to host a couple of the 'In The Life' programs. And I did that really as a result of meeting a lot of young gay people in the Midwest who really had nothing to relate to. At least I felt this program is presenting them with some options.
But also, the guest workers program, it's quite often misused, meaning people could come in as part of a guest workers program and after two weeks in the fields, they'd run off to do every other kind of job that isn't covered by a guest workers program.
Trust me, if you do an honest 20 rep program, at some point Jesus will talk to you. On the last day of the program, he asked if he could work in.
Looking at the championship-winning quarterbacks, Edwards remembered their particular talents: Steve Young: Here's a guy that is really a talent. He's the best athlete we ever had. He could run, he developed into a good thrower. He's smart. He's intense. He could make it in the movies. Really, he's got it all. He was coachable, but he had his own ideas. He never let up, not even in practice. I'd take Steve Young every year.
The Art of Elysium is a program I've volunteered with for close to ten years, and I work with Unicef and Young Storytellers. My passion is really working with children since they are the future.
I used to go over to my friend's house and we'd watch VCR tapes, three of them a day, and I was like, "I could come up with better stories than this." And I've wanted to write films ever since.
If the users don't control the program, the program controls the users. With proprietary software, there is always some entity, the "owner" of the program, that controls the program and through it, exercises power over its users. A nonfree program is a yoke, an instrument of unjust power.
The finest pieces of software are those where one individual has a complete sense of exactly how the program works. To have that, you have to really love the program and concentrate on keeping it simple, to an incredible degree.
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