A Quote by T. Jefferson Parker
When my story stalls on me, I've played my hand too soon.
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The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
A learned man came to me once. He said, "I know the way, -- come." And I was overjoyed at this. Together we hastened. Soon, too soon, were we Where my eyes were useless, And I knew not the ways of my feet. I clung to the hand of my friend; But at last he cried, "I am lost.
About three months after I had Kelly, I went and played in Canada. I felt great, I was ready to go and I was very energetic. But as soon as I started playing, I thought 'no, too soon.' I went back home and slept for two days.
*I want to keep walking away from the person I was a moment ago... *So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. *We get one story, you and I, and one story alone....It might be time for you to go. It might be time to change, to shine out.
I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.
Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park.
On the one hand I wonder, Was this really my story to tell? On the other hand, I just wanted the story to be told. But the truth is that I didn't think anybody was going to read it.
I played a role. That is what actors do. But I played it too well. I went too far. And by the time I wanted to stop, to take a bow and leave the stage, it was too late.
You run the risk, whenever you build your story around a central mystery, of either letting it go too long, or revealing it too soon and then taking the wind out of the sails of the narrative.
I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.
Wars become history all too soon and are forgotten all too soon as well, before the lessons can be learned.
The Gulf War was like teenage sex. We got in too soon and out too soon.
You cannot do a kindness too soon, for you never know how soon it will be too late.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
I think it's too soon. We are less than 24 hours since the polls closed, it's too soon to speculate. There's all sorts of names, I'm sure, around.
As blessed as I am, I clearly was not born with the twerking gene. It's safe to say that I won't be winning a twerking contest anytime soon. The robot on the other hand is a different story.
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