A Quote by T-Pain

I've made club songs, and I've made radio songs, and I've made the car songs. — © T-Pain
I've made club songs, and I've made radio songs, and I've made the car songs.

Quote Topics

When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
When I made 'Feed tha Streets,' those were the only 17 songs I had made, period. There was no cutting songs out or adding other songs in.
As artists, we're always going to like the songs we just now made over the songs we made a year ago.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I made records purely for fun - songs that made you feel good. I left the message songs to people like John Lennon.
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
I remember listening to the radio as a kid and finding that the songs always made me feel more peaceful. Funny, but the more hurtin' the music was, the better it made me feel. I think of that now when I write my songs. I may not be feelin' the blues myself, but I'm writing them for other people who have a hard life.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
My dad grew up in Pittsburgh in the '50s, and he used to sing Four Seasons songs on the stoop. He made me listen to Cousin Brucie - the guy who broke the Four Seasons on the radio. So I knew all of their songs, but I didn't know they were all by the same group.
Whenever we do stuff with Die Antwoord, it's kind of like... I made a lot of music before this group that I'm kind of bored of and forgot about, and everything with Die Antwoord I really love. It's the first time I've made music where, even the first songs we made, I really adore all those songs, and I'm proud of them.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
Bands have always written songs against what they see as wrong. Ronald Reagan really made for a lot of songs.
Sometimes, we've made songs where we're angry and yelling, and then there are some songs where we're just having fun and dancing and happy.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
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