A Quote by T. S. Eliot
Every nation, every race, has not only its own creative, but its own critical turn of mind; and is even more oblivious of the shortcomings and limitations of its critical habits than of those of its creative genius.
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
Creative energy is more critical than learning.
Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.
A man who is morally clean, other things being equal, has in every instance, greater agility, greater capacity, and greater endurance by far than the man who is not. While the latter is wasting his creative energies in useless pleasures, as well as in disease producing habits, the former is turning all of his creative energy into ability and genius, and the result is evident.
Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.
I actually think it doesn't even matter what age you are or what sex - though that does play into it sometimes - you always have to fight in any kind of creative world because nobody knows your own brain and your own creative ideas better than you do.
I think it's fairly unique to define the end goal of K-12 schooling as helping students become better thinkers, more creative thinkers, and to organize the whole school around creative and critical thinking.
Feminist theory has left an indelible mark on my own critical—and creative—thinking . . . For me, everything I questioned about what it meant to be a man – and how much my sexuality would perpetually challenge those meanings—could be found in arguments posed by feminists. What can I say? I identified.
Every person, every race, every nation, has its own particular keynote which it brings to the general chord of life and of humanity.
Nationality is not a universal human principle but an historical, local fact...Every nation, even a small one, has its own character, its own particular way of life and manner of speaking, feeling, thinking, and behaving. These distinctive features are the essence of nationality, the product of a nation's entire history and conditions of existence. Every nation, like every individual, is of necessity what it is, and has an unquestionable right to be itself. So-called national rights consist precisely of this.
We believe that this initiative is a critical first step in our nation s effort to provide every student with a comprehensive, content rich and complete education. These standards have the potential to support teachers in achieving NEA s purpose of preparing students to thrive in a democratic society and a diverse, changing world as knowledgeable, creative and engaged citizens and lifelong learners.
It is only the untalented director who imagines him or herself in every part, wants his or her own thoughts and emotions portrayed; it is only the untalented who make their own limitations those of the actors as well.
In great teams, conflict becomes productive. The free flow of conflicting ideas is critical for creative thinking, for discovering new solutions no one individual would have come to on his own.
Art is the great democrat, calling forth creative genius from every sector of society, disregarding race or religion or wealth or color
It is especially important to encourage unorthodox thinking when the situation is critical: At such moments every new word and fresh thought is more precious than gold. Indeed, people must not be deprived of the right to think their own thoughts.
When you work for others, you are at their mercy. They own your work; they own you. Your creative spirit is squashed. What keeps you in such positions is a fear of having to sink or swim on your own. Instead you should have a greater fear of what will happen to you if you remain dependent on others for power. Your goal in every maneuver in life must be ownership, working the corner for yourself. When it is yours, it is yours to lose - you are more motivated, more creative, more alive. The ultimate power in life is to be completely self-reliant, completely yourself.
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