A Quote by T. S. Eliot
If we are moved by a poem, it has meant something, perhaps something important, to us; if we are not moved, then it is, as poetry, meaningless.
Related Quotes
I was deeply moved by Richard Blanco's reading of his inaugural poem-a timely and elegant tribute to the great diversity of American experience. And now comes this fine meditation on his experience of coming to poetry, of making the poem and the months surrounding its making-a testament to the strength and significance of poetry in American culture, something not always seen or easily measured. Today Is For All of Us, One Today is a necessary intervention into the ongoing conversation about the role of poetry in public life.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
I rose and moved towards him. You would have done the same yourself. It is an ancient matter. Something propels you towards sudden grief, or perhaps also sometimes repels. You move away. I moved towards it, I couldn't help it.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
In the beginning the church was a fellowship of men and women centering on the living Christ. Then the church moved to Greece where it became a philosophy. Then it moved to Rome where it became an institution. Next, it moved to Europe, where it became a culture. And, finally, it moved to America where it became an enterprise.
I decided I wanted to be a painter, and then that moved into wanting to be an animator. By adolescence, I just wanted it to be something that was important...something that would make a difference in people's lives or leave an imprint in history.
When I first got turned on to 'Purple Rain,' I was just moved by Prince's charisma and his just being free. Everything meant something, from the scream to falling on the ground to taking his shirt off. It just all meant something.
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
I was born in Cairns, Queensland. Then my parents and I moved to Sydney. We moved to New Wales. We moved around Australia. I was just really close to my parents, and actually, we moved around a lot when I was very young. I think it played a big part in making me the shy teenager that I was.
Then, I realized that there is an indigenous presence in the Solar System. It's us. So, then, I got to wondering what would happen if a more technologically advanced society moved next door to us, the way we moved next door to the American Indians.
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York, and then we moved to D.C.
I was born in Berlin, and when I was 6, my mom passed. When I was 9, I moved to near Washington, D.C., where I lived with my aunt and uncle. And then at 11, I moved back to Berlin. And then at 16, I got in trouble in school and moved back to the Washington area.
My kids have moved more in their twenties, you know, than my parents have moved in nearly 40-something years of marriage before they died. So there's a part of me that laments what we have lost, and that is a sense of community.
I see the hitter when he's moved in the box, like when he's moved closer to the plate or changed his stance. I see when the batter has moved his feet, and then I make my own adjustment.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Related Authors
Alexander Pope Quotes
English
Poet
Emily Dickinson Quotes
American
Poet
George Herbert Quotes
British
Poet
Henry Wadsworth Longfellow Quotes
American
Poet
Homer Quotes
Greek
Poet
Horace Quotes
Roman
Poet
John Milton Quotes
English
Poet
Khalil Gibran Quotes
Lebanese
Poet
Lord Byron Quotes
British
Poet
Maya Angelou Quotes
American
Poet
Oscar Wilde Quotes
Irish
Poet
Ovid Quotes
Roman
Poet
Samuel Taylor Coleridge Quotes
English
Poet
Walt Whitman Quotes
American
Poet
William Butler Yeats Quotes
Irish
Poet