A Quote by T. S. Eliot

No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.
I deny that art can be taught, or, in other words, maintain that art is completely individual, and that the talent of each artist is but the result of his own inspiration and his own study of past tradition.
With each change of definition in art, something considered non-art or bad art by a previous generation is suddenly acceptable.
If some of this art is not for you, that's fine. Art appreciation is a subjective matter, and we each bring our own experience, knowledge and taste to the party.
What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful
I don't believe that films can be compared to each other as each one is a work of art and deserves appreciation on its own merits.
Art makes you see people as individual, unique human beings. Art, in that way, allows us to see each other in particulate, as opposed to in aggregate.
Making art is complicated because the categories are always changing. You just have to make your own art, and whatever categories it falls into will come later.
I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.
Art experts are unfailingly opposed to Art for the simple reason that they are interested in Art - but Art is not interested in Art. Art is interested in life.
I personally don't care for abstract art. I have always felt, 'To each his own.' There's art out there for everybody.
It makes me happy to think that this world of art-as-investment is a minuscule fraction of the art world overall. Most people who create, trade and own art do it for a much simpler reason. They just like it.
I feel that performing is its own art form, and recording is its own art form, and writing is its own art form, and that they all can happen simultaneously but at different paces.
The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art
Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.
No art can be grafted with success on another art. For though they all profess the same origin, and to proceed from the same stock, yet each has its own peculiar modes both of imitating nature and of deviating from it... The deviation, more especially, will not bear transplantation to another soil.
Art for art's sake, with no purpose, for any purpose perverts art. But art achieves a purpose which is not its own. (1804)
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