A Quote by T. S. Eliot

Webster was much possessed by death And saw the skull beneath the skin. — © T. S. Eliot
Webster was much possessed by death And saw the skull beneath the skin.
I knew the facts of death before I knew the facts of life. There never was a time when I didn't see the skull beneath the skin.
Buildings in modern cities have lost their metaphoric aspect. Much contemporary architecture is very fragmented and busy on the outside. It's like a skin or a skull, but you don't know what's inside.
Mike Webster lost all his money or, maybe, gave it away. He forgot. A lot of lawsuits. Mike Webster forgot how to eat, too. Soon, Mike Webster was homeless, living in a truck, one of its windows replaced with a garbage bag and tape.
Eyes like streams of melting snow, cold with the things she does not know. Heaven above and Hell beneath, liquid flames to hide her grief. Death, death, death with no release. Death, death, death with no release.
No one knew about the squirrel’s skull beneath Briony bed, but no one wanted to know.
The world did not have me in mind; it had no mind. It was a coincidental collection of things and people, of items, an I myself was one such item...the things in the world did not necessarily cause my overwhelming feelings; the feelings were inside me, beneath my skin, behind my ribs, withing my skull. They were even, to some extent, under my control.
Much like the removal of moles and skin lesions is done to prevent them from growing into more serious skin abnormalities, removing minor discord before it becomes a calamity is an important use of our time. Most people don’t like to make waves and they swallow frustration and bury true feelings, not wanting to compromise temporary tranquility, never realizing that massive turmoil doesn’t start out massive—it grows beneath the skin like a cancer that could have been avoided with early detection.
The moon had risen behind him, the color of a shark's underbelly. It lit the ruined walls, and the skin of his arms and hands, with its sickly light, making him long for a mirror in which to study his face. Surely he'd be able to see the bones beneath the meat; the skull gleaming the way his teeth gleamed when he smiled. After all, wasn't that what a smile said? Hello, world, this is the way I'll look when the wet parts are rotted.
How I saw in her my own true nature. What was beneath my skin. Inside my bones... Even though I was young, I could see the pain of the flesh and the worth of the pain. This is how a daughter honors her mother. It is shou so deep it is in your bones. The pain of the flesh is nothing. The pain you must forget. Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.
I don't care about skin the color, everybody is a human being. Beneath every skin color, you bleed red. That's just the bottom line of the truth.
I have a bony face - I feel like my skin's been stretched over my skull.
What do you mean I have a predetermined death?” – Nick “Did I stutter?” – Death “No.” – Nick “Do I look like Webster’s?” – Death “No.” – Nick “Then you should understand what I said, since I didn’t speak in code. Every mortal creature is born with an expiration date. Some immortals, too. Set by the big clockmaker. But excessive stupidity and moronic tendencies can shorten it. Pissing me off is one really good way to cut yours down to three seconds from now.” – Death
Masks beneath masks until suddenly the bare bloodless skull.
We're doing Circle of Snakes, we open up with Skin Carver and we are throwing in Skull Forest later on.
I'd seen 'Punky Brewster,' I'd seen 'Webster,' I saw 'Annie,' and it was time to either be an orphan or an actress.
I became an American on Nov. 4, 2010, at an elegant ceremony in Great Hall of Bullfinch's Faneuil Hall, Boston, beneath a vast painting of Daniel Webster debating the preservation of the Union with Robert Hayne of South Carolina, before the Civil War.
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