A Quote by T. S. Eliot

The usual dog about the town is much inclined to play the clown. — © T. S. Eliot
The usual dog about the town is much inclined to play the clown.
Be a clown , be a clown, All the world loves a clown. Act the fool , play the calf, And you'll always have the last laugh .
What I loved about wrestling was just being foolish, so I studied clown. I studied clown. I studied the art of clown. I actually did my thesis on clown.
I just got a dog, and I never thought about using it to look up toys you get for the dog and walks to take the dog on, but there's so much stuff about that on Pinterest!
Dogs are my favorite role models. I want to work like a dog, doing what I was born to do with joy and purpose. I want to play like a dog, with total, jolly abandon. I want to love like a dog, with unabashed devotion and complete lack of concern about what people do for a living, how much money they have, or how much they weigh. The fact that we still live with dogs, even when we don't have to herd or hunt our dinner, gives me hope for humans and canines alike.
I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.
Dog parks can be a fantastic way to socialize your dog, but it's important for owners to understand that a dog park isn't exercise and isn't a substitute for walk. A visit to the dog park is fun - play time.
My daughter is here in town doing a play, and her dog is staying with us. We live up in the hills, so he has access to thousands of acres of wilderness.
My ideas are a curse. They spring from a radical discontent with the awful order of things. I play clown. I play carpenter. I play nurse. I play witch.
There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.
In play, the child is always behaving beyond his age, above his usual everyday behaviour; in play he is, as it were, a head above himself. Play contains in a concentrated form, as in the focus of a magnifying glass, all developmental tendencies; it is as if the child tries to jump above his usual level.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Elegy on the Death of a Mad Dog And in that town a dog was found, As many dogs there be, Both mongrel, puppy, whelp, and hound, And curs of low degree.
A popular character in old Italian plays, who imitated with ludicrous incompetence the "buffone", or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play.
If you've ever been to a great clown show, there's always a moment where the clown goes into the house and fuses with the audience. There's something fantastic about the improv of it all.
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