A Quote by T. S. Eliot

My greatest trouble is getting the curtain up and down. — © T. S. Eliot
My greatest trouble is getting the curtain up and down.
I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world.
It's about being able to go through the grind, willing to get back up when you're knocked down. And when life's not going well, not getting down on yourself and just getting back up and getting back to work, and striving to be the best you can be.
Women are so strangely constructed that they have in them darkness as well as light, though it be but a little curtain hung across the sun. And love is the hand that takes the curtain down, a stronger hand than fear, which hung it up. For all the ill that is in us comes from fear, and all the good from love.
It's always a problem, getting the curtain in at the end of the first act; having enough of a resolve so that you can bring the curtain in and then opening the show a second time is a little bizarre as a tradition. I've always preferred to go straight through.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
I'm glad about 'The Curtain Call' now, but I remember being very confused watching it all go down because I was right there behind the curtain watching it all, and I couldn't believe these guys were breaking kayfabe.
The streets would have chewed me up and spit me out and I knew that, but I found my own ways and different knacks for getting in trouble and being reckless with my life. And I've overcome a lot of personal demons and to be alive is really my greatest achievement.
Don't just give up, Hachiko. Life is about getting knocked down over and over, but still getting up each time. If you keep getting up, you win.
It's about getting the kids up and fed, getting one to school, getting the other down for a nap, going to the grocery store, picking one up from school, getting the other one down for another nap, cooking dinner... I live my life at these two extremes. I'm either a full-time stay-at-home mom or a full-time actress.
It's all a play. Hiroshima and Nagasaki happen, there are hundreds of thousands of dead, and the curtain comes down, and that's the end of that. Then Korea happens. Vietnam happens, all that happened in Latin America happens. And every now and then, this curtain comes down and history begins anew. New moralities and new indignations are manufactured...in a disappeared history.
I'm trying to sum up President Obama's first 11 months in office. He gave billions to Wall Street, cracked down on illegal immigrants getting health care, and he's sending 30,000 more troops to Afghanistan. You know something, he may go down in history as our greatest Republican president ever.
One does odd things. You see, when one's young one doesn't feel part of it yet, the human condition; one does things because they are not “for good”; one thinks everything is a rehearsal - to be repeated ad lib, to be put right when the curtain goes up in earnest. One day you know that the curtain was up all the time. That was the performance.
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