A Quote by T. S. Eliot

Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to. — © T. S. Eliot
Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
I don't see the violence stopping, from the L.A. riots 25 years ago to the Baltimore riots from 2015 to today - at least, not until a cop goes to jail. Until someone gets 30 to 50 years - something substantial - I really don't think it'll stop.
Practice, practice, practice. Practice until you get a guitar welt on your chest...if it makes you feel good, don't stop until you see the blood from your fingers. Then you'll know you're on to something!
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft.
Occasionally, as an actor, you're not... Sometimes, at least for me, I'm not fully in the groove until the second or third take, in which I would not want to just stop. If it's a scene that takes a lot of work and time, sometimes the scene gets better with time, and sometimes it gets exhausted. I think it just depends on the scene.
You don't want to always put a bunch of sugar in you. Because your sugar gets high, it gets stuck in your blood, it gets stuck in your system. It makes you tired. You have the ups and downs.
Public shaming is a blood sport that has to stop.
When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.
You can't stop suffering, you can't stop terrible things from happening, but you can bear witness... The least us reporters can do is go there and tell their stories.
Cram your head with characters and stories. Abuse your library privileges. Never stop looking at the world, and never stop reading to find out what sense other people have made of it. If people give you a hard time and tell you to get your nose out of a book, tell them you're working. Tell them it's research. Tell them to pipe down and leave you alone.
I always tell the producers, if I can't get the girl at the end of the picture, at least give me more money.
Thinking is compulsive: you can't stop, or so it seems. It is also addictive: you don't even want to stop, at least not until the suffering generated by the continuous mental noise becomes unbearable.
Existence will not stop until it gets to beauty.
You cannot know God until you've stopped telling yourself that you already know God. You cannot hear God until you stop thinking that you've already heard God. I cannot tell you My Truth until you stop telling Me yours.
As far as our culture of humiliation goes, what we need is a revolution. Public shaming as a blood sport has to stop.
My advice for other female directors: don't think of your gender as a handicap. Don't think about it at all. Just tell the best story you can, and don't stop until you do.
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