A Quote by Ta-Nehisi Coates

It was mostly through pop culture, through hip-hop, through Dungeons & Dragons and comic books that I acquired much of my vocabulary. — © Ta-Nehisi Coates
It was mostly through pop culture, through hip-hop, through Dungeons & Dragons and comic books that I acquired much of my vocabulary.
Hip-hop basically controls the world through fashion, through music, through language, through culture. It's basically running the world, no matter what anyone wants to think, and that's just the way it is.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
The Temple of Hip-Hop makes sure that we don't just approach hip-hop just through music or through rap. We approach the totality of hip-hop.
I do have a desire to bring a spiritual tone to the hip-hop community, which may force me to open a facility that teaches spiritual principles through the language of hip-hop culture.
Simon grinned. "You've never heard of Dungeons and Dragons?" "I've heard of dungeons," Jace said. "Also dragons. Although they're mostly extinct.
I think the hip-hop purists are purists through and through. They're here to criticize all of us. That's just how it is. We as MC's criticize each other. That's the nature of hip-hop.
It was a lot of 'Dungeons and Dragons' all through my teens.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
I played Dungeons & Dragons and have read comic books since I was a kid.
Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.
I was into skateboarding, so through skating I kind of got into hip hop by discovering it through skate videos.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
German writings attain popularity through a great name, or through personalities, or through good connections, or through effort,or through moderate immorality, or through accomplished incomprehensibility, or through harmonious platitude, or through versatile boredom, or through constant striving after the absolute.
Much of hip-hop, like comic books, is fantastical by nature, too.
Wherever I go, I bring the culture with me, so that they can understand that it's attainable. I didn't do it any other way than through hip-hop.
Since I've been in this industry, it's been a constant fight; "Oh, he's white, he's Cuban." "He's tryin' to do hip-hop and he's too Spanish, he's too English."You fight all these stereotypes through all these boundaries, and you find a way to tap-dance through all these different genres and cultures through music - that's what Rebelution is.
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