A Quote by Ta-Nehisi Coates
We look at young black kids with a scowl on their face, walking a certain way down the block with their sweatpants dangling, however, with their hoodies on. And folks think that this is a show of power or a show of force. But I know, because I've been among those kids, it ultimately is fear.
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I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
In Brooklyn, the block wasn't very long or very wide, and not that many kids were out there, either. But when I got to Florida, there were a lot of kids on my block, young kids, older kids, and they could play outside until the sun went down and have fun.
Be your kid's collaborative partner, but also be a collaborative partner with the folks at school. Schools can be pretty unilateral too. Show them you know how to collaborate. Show them this is not about power. Let them know detentions and suspensions and paddling don't solve the problems that are affecting kids' lives. Those problems can be identified and solved but not by being punitive.
I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids.
I love 'Yo Gabba Gabba!' because it's a real kids' show. There hasn't been a real kids' show since 'Dora the Explorer.' It mixes hip-hop with being a kid. Hip-hop came from youths anyway. It's just a great, funky show.
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'
People look at kids like us and think we have no morals because we're from 'the street.' I want to show that we do live by certain standards, that we are moral people.
Local companies don't have to internalize their costs, and few actually do, but they tend to more often because the owners live there and they have to show their face in town, and their kids play with other kids.
I would love to fall in love and get married and have beautiful children. I mean that's one of the goals in life, I think, to have, and it's a beautiful thing. My sister has kids and all my friends have kids. They show me their, you know their report cards. And I can show them my sports car.
When people show me pictures of their kids, it's okay. But when I give them a picture of me, to show to their kids, I'm weird. What kind of one way street is that?
There are people who look up to me, but the young Muslim kids, especially in Germany, they also need those closest to them to show them a good path, give them targets in their life. I grew up with a lot of these kids and they didn't have the support I had from my family or friends. Not just in terms of football, but everything else.
Especially now, with 'Glee,' it's allowed a lot of kids to love music and performing at a young age. All ages watched 'American Idol,' but I think it was nice to be able to show kids, 'Hey, you can be here, too.'
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
When 'The Cosby Show' came out, and everyone was up in arms about 'The Cosby Show' and that it was reflecting a world that didn't exist - but I knew black doctors. And I knew black lawyers. And I knew families that, you know, had a mother and a father and kids that were well-behaved.
I wish we could do a better job of understanding what we're doing to kids, because it can be better. It's unfair to give up on these young black kids. We don't do that to white kids.
'Roseanne' was massive for me. I adored that show. I mean, the show was this couple who weren't cookie-cutter, and they were sexy, and we know that they like to have sex with each other, and they flirted, and then they ragged on their kids, and their kids ragged on them, and it was such a realistic depiction.
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