I think we always view people who make us feel uncomfortable and appear to intrude on our middle-class cozy space, we view them with, if not hostility, at least suspicion, discomfort, embarrassment.
The purpose of art actually is, in many cases, to make you feel quite uncomfortable. Or at least to go to that place that's already of discomfort inside of you and tap into that.
I violated apparently an unspoken rule that we are supposed to take care of our own. Frankly if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
I violated, apparently, an unspoken rule that we are supposed to take care of our own. Frankly, if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
I like playing with that space between laughter and discomfort where your discomfort can also make you laugh, and you're confused about the mixed feelings. That's challenging, and I think that's what makes for some of the best art.
When people don't understand that being uncomfortable is part of the process of achievement, they use the discomfort as a reason not to do. They don't get what they want. We must learn to tolerate discomfort in order to grow.
Leadership is scarce because few people are willing to go through the discomfort required to lead. This scarcity makes leadership valuable...It's uncomfortable to stand up in front of strangers. It's uncomfortable to propose an idea that might fail. It's uncomfortable to challenge the status quo. It's uncomfortable to resist the urge to settle...If you're not uncomfortable in your work as a leader, it's almost certain you're not reaching your potential as a leader.
I can't think in terms of journalism without thinking in terms of political ends. Unless there's been a reaction, there's been no journalism. It's cause and effect.
I'm very comfortable with uncomfortable situations, and I think that can seem odd to people, that I like the thrill of discomfort.
Poor people in America today (people who are officially in poverty) have a higher standard of living - in terms of medical standards, in terms of going to college, in terms of the way people live - than middle class people did thirty years ago.
Now I have a standard for how I make sure people do not speak to me in a way that I feel uncomfortable with. When I was younger, I didn't have that. I was like, 'Try not to make waves.' I wanted everybody to like me, and so I stifled a lot of the discomfort that I had.
Bodily discomfort and emotional fear and attachment make the dying uncomfortable and fearful. So, to help those dying people, I think modern medical science has a lot of facilities to reduce pain, or perhaps not to reduce pain, but not to experience pain.
Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.
I've always sort of admired and respected one's ability to be comfortable with other people's discomfort or, you know, their being comfortable making other people uncomfortable.
Love scenes are always weird, though. They're always uncomfortable. It's all the people around who make it uncomfortable. It's not usually the actor you're working with, because they usually feel just as weird as you do!
I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America. This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.