The process of getting conscious, for me, was a very, very uncomfortable, disturbing, and sometimes physically painful process. And so that's the standard to which I write, because it was what I've experienced over my time.
We are extremely vulnerable because we take too much time to implement the necessary measures. This is a painful process. When you go through a painful process - make it as short as possible
The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
I had a very short time on that film [The Possibilities Are Endless] and it was quite strange because the process was kind of like a documentary, which was different for me. The way everything was filmed was very casual.
I'm good at cold reading; I've made a living doing this, and most of the time I do audition, but it's very tough. It's a very uncomfortable, awkward process. You never get used to it, really.
It's very painful to lose, and it's a very difficult process to go through, especially at a place like UCLA where the standards are very high.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
Well, it's because I gladly acknowledge some ideas that are part of process theology, but which I think are not tied to all the details of process thought, and are very illuminating and helpful.
And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.
I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south.
I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist me.
The Islamization process in Arab countries is very disturbing.
To me consensus seems to be - the process of abandoning all beliefs, principles, values and policies in search of something in which no-one believes, but to which no-one objects - the process of avoiding the very issues that have to be solved, merely because you cannot get agreement on the way ahead. What great cause would have been fought and won under the banner "I stand for consensus"?
Awareness cannot be at the end of a process
because the very striving, and the process itself,
is arising and appearing in the Awareness
which is timelessly present.
The recording process was basically me meeting with different writers, going into their studio, starting a song and just hanging out and chatting and getting to know how they work. Everybody has a different writing process so there was a lot of getting to know people, which can be fun and stressful at the same time.
The inventory process and stepping back in your life can sometimes be a very dark process. But it also can be extremely funny and surprising.