A Quote by Taapsee Pannu
Nobody is going to keep giving me chances even after two-three of my films don't do well.
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I'm going to keep it real gully with you; the first two months, I wanted to give him back. I expected someone to come and save me because after you have the baby, nobody cares about you anymore. Nobody cares if you sleep, nobody cares if you eat. It's just you and this all-consuming thingy!
If my films don't do well, nobody is going to give me films.
Nobody the dead man & Nobody the living Nobody is giving in & Nobody is giving Nobody hears me but just Nobody cares Nobody fears me but Nobody just stares Nobody belongs to me & Nobody remains No Nobody knows nothing All that remains are remains
I can never take a break from Telugu films, because they have given me a lot of recognition. No matter how busy I am or the number of films that I do elsewhere, I always keep my schedule free for at least two to three films in Telugu.
At the end of the day, the only thing I can do is keep working on it, keep giving myself chances, and it's going to happen.
No one is going to keep giving me work because I am Salman Khan's brother. People may give me one or two films because of Salman but no one can make my career. I have to work towards it.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
Nobody is going to tell me that I can't do three games in a week. No one is going to tell me that I can't do it well. I'm going to work really hard at it. I get bored if I don't have 10,000 things on my plate.
I try to attack the glass, get rebounds and create possessions for my teammates because that's what I'm here to do. But if they face guard or put two or three guys on me I'm going to keep going to the glass and keep being relentless.
After all the stops and starts, we keep coming back to these two hearts. Two angels rescued from the fall, and after all that we've been through, it all comes down to me and you. I guess it's meant to be, forever, you and me, after all.
Where I get involved is that I have to sign off the money, yet when you have target one, two or three from your process I feel fine going after the No 1 target and, if it's not to be him, then number two or three.
If you hear the dogs, keep going. If you see the torches in the woods, keep going. If there's shouting after you, keep going. Don't ever stop. Keep going. If you want a taste of freedom, keep going.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
It was in the back of my mind, even while I was going to school, but it wasn't until I was at university studying engineering that I thought, well what do I really want to do? And I kind of came back to that and I said, well the degrees I'm trying to get are going to qualify me to apply. And so, that's what I did after I finished my, or after I was getting my doctorates. That's when I first applied to NASA.
I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones.
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