A Quote by Taapsee Pannu

At the end of it, box office result matters. And the weird thing is that we do not know the formula of that. — © Taapsee Pannu
At the end of it, box office result matters. And the weird thing is that we do not know the formula of that.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.
In anything I do I try to stay true to myself because I think that's what matters most, and then the challenge is getting all these different sides of my personality to fit together in one box. It isn't an easy task. But that's basically what the end result represents.
I went to SG Formula and became Formula Renault 2.0 Champion. I went then to ART in Formula 3 and became Champion. Then I stayed with the team in GP2 Asia Series, and again, I became Champion. Then the first year of GP2 was really great. I was P4 at the end of the season, which was a fantastic result.
It's a myth that you'll know the box office result of any film. I don't think anybody can predict a film's fate accurately, otherwise nobody would make unsuccessful or flop films.
Formula 1 racing had a personal scandal right up at the top of its governing body that was so weird, that was so flagrantly salacious and bizarre, that I think it not only reassured American racing fans that Formula 1, yes, really is kind of weird.
Box office success definitely matters. I will be lying if say it does not matter.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
While I am lucky to be associated with people who believe in content, all that matters is your talent and box-office results.
it's difficult in Hollywood to be allowed to try anything. It's all a terrible compromise. There is no time for art. All that matters is what they call box office.
I start at square one with every role. If I let myself feel pressure, it would crush me. The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie. Sometimes that's a palpable thing, but other times it's not. No actor has control of that. All you can control is your own passion for doing the work in the first place.
For me, more than general box-office collections, what really matters is that I am doing something that I enjoy and love.
I have learnt to deal with the box office result. Whatever happened to any film, thankfully, people always appreciated my performance.
I was always obsessed with the 'Adventures of Buckaroo Banzai,' this weird little cult movie. There was this promised sequel before the end credits - 'Buckaroo Banzai Against the World Crime League' - and I knew instinctively they were never going to make that movie, because the first one had made, like, $8 at the box office.
I hate how box-office failures are blamed on an actress, yet I don't see a box-office failure blamed on men.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
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