A Quote by Taapsee Pannu
In Hyderabad, it was really warm. I had decided to move there even before my first film released.
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Being the Lux girl has been a real journey! I did my first ad before my first film released. I was shy and unaware.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
Before I have attended camps at many places such as Bangalore, Jalandhar, and after 2006 it has only been happening at the Gopichand academy in Hyderabad. I had no problems since I live there, but it is not fair. Why camps only in Hyderabad?
I decided to move out of the apartment I was sharing with my best friend before graduation and move back home. My parents had recently separated, and I wanted to move back home with my mom and my siblings.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first. Even I didn't jump first. Her eyes were so stern, so insistent. Beautiful.
Initially, I had started doing theater, where the actor has a direct relationship to the audience. So, moving into film and television disconnected me. When you do a film, you start to get the character, and then it disappears for a year before it's released and you get feedback.
I realised I was a 'star' when my first film Dil Deke Dekho was released after being rejected before. It was a very big thing for me.
It was a little company that released [Bad Influence], it was really ahead of its time... I'm really proud of it. And it's Curtis Hanson. He'd directed a small movie before that, but it was his first directorial work that really worked.
In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.
I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.
Our original mission and values consisted of four simple words that formed our foundation: 'We make great games.' We crafted that statement before we had even released our first game, but we were committed to living up to it.
When 'Chaudhvin Ka Chand' was released, it was a big success and very well appreciated. At that time, colour films had just started to be made, and Guru Dutt decided to take the title song of the film, shoot it in colour and rerelease it with new fanfare.
I always thought it better to allow myself to doubt before I decided, than to expose myself to the misery, after I had decided, of doubting whether I had decided rightly and justly.
I had a talk with Frances McDormand, actually, right before I did my first lead in a film, and that was really amazing.
Kenya doesn't have much of an infrastructure for hosting a film of this scale. Our producer decided that for the film to really work it had to be in Kenya.
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