A Quote by Taapsee Pannu
A prequel to 'Baby' was never on the cards, but when the movie was successful, we realized from the audience response to my character that they wanted to see more of me.
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It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
When a movie becomes very successful, it's automatic that people will start thinking a sequel, a prequel, a quel-quel.
I think everybody's goal was to make something that was really broad for a big audience, which was my goal too. But my main goal was that I wanted my audience to love it, because they're the ones who are going to buy it, and they're the ones who are going to tell their friends. And I wanted to make sure that core audience was really happy, because if they all buy it we have a successful movie.
My initial response was to sue her for defamation of character, but then I realized that I had no character.
I would want the audience to simply see the character I portray in each movie in its true essence because I feel acting is all about truthfully portraying the character.
I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
I'm insane, I'm emotional, but I'd rather be that than a robot. So that's definitely something that I wanted to get out there. Especially with Cry Baby's story, because the album is about Cry Baby but I realized that me and her went through the same change.
Eventually I realized that Cry Baby was a character that was based off of me, and that we had a lot of similarities.
We'd like to explore the prequel idea. I think it would be best suited as a web series on some digital platform. The prequel will be called 'Rajan Vagaira,' and it will track the rise of Rajan's character in 'Vada Chennai' and how he built his empire.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.
It's more interesting for me as an audience member to see a movie about a loser.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
What I enjoy about my work is that it's all things that I wanted to see as an audience member so there's part of me that understands what an audience wants to see in that respect.
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