A Quote by Tabitha Soren

I worked at NBC and MTV for two years, and it was very interesting to see the comparisons of audiences and the way that I would have to present a story to the two different places.
It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
I worked very hard as a young journalist learning the trade and asking questions, understanding what a story is and being able to present that in a way that people would find interesting.
I worked at car washes - two or three different car washes. I worked at McDonald's and Wendy's, I worked as a dishwasher and as a telemarketer in two or three different places. I sold windows door-to-door and never once sold a window.
I'm very proud of my dad. To me, there are comparisons, but there aren't comparisons. We kind of play two different positions. He's a Hall of Famer, I'm not a Hall of Famer.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we've been remaking 'Hamlet' for a hundred years, so it's no problem to me at all. A good story can be told in many different ways in different places; I just think it's interesting.
The two hemispheres of the brain are two very different places and they don't share any cell bodies. They are completely separate entities.
We've played two shows with seated audiences, and two with a standing audience. Both were cool. Sitting is more mental, in a way, [but] after a while they really want to get up and move. It's very euphoric, I think, because people see what's actually going on. The energy takes over.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
Every animated film that I've worked on - whether it was as a story artist or as Head of Story or even as director - where we originally started out with our story and where we eventually ended up were often very different places.
My favorite species to study would be Cobras and King Cobras which are two different families. They're very intelligent, and they're beautiful looking animals. Where they come from are countries and regions which I spend a lot of time in - South East Asia and India, those are places I go to fairly often, and so the cobras are my main interest. It's not a snake I can maintain, but when I see them in zoos and what not, I find them interesting.
Audience come with expectations, and our job is to engage them for two hours. We take efforts to make the story more interesting and also present it in such a way that it is liked by all the audience.
A man can be in two different places and he will be two different men. Maybe if you think of more places he will be more men, but two is enough for now.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.
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