A Quote by Tabu

If I feel the role is not going to demand anything out of me, I don't do it. Either it has to be a terrific role, or the director has to be someone I am dying to work with. Or the costar has to be someone I really look up to.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I don't really look at myself as a role model. And I just am the way I am and if people want to look up to me, they do. By no means do I like to give a negative image either.
Typically, when you look for role models, you want someone who has your interests and came from the same background. Well, look how restricting that is. What people should do is take role models a la carte. If there's someone whose character you appreciated, you respect that trait.
Not coming from a film background, be it a teeny-weeny role or a big role, I have done it with a lot of dignity and fought my way through. But the only thing that kept me going is that I am the sort of person who doesn't take no for an answer. If someone rejects me, I will be out to prove that person wrong in my own way.
I don't apply [being a role model] to the choices I make. I feel like a role model is not necessarily someone you want to imitate, just someone you admire.
I feel that a lot of roles in television can really typecast someone as one type of actor or playing one type of role, but I really don't think that my role in 'Weeds' did at all.
To me to be a solo artist means I can do so many new and exciting things and I feel very strongly that one must evolve and grow. I love being a bass player and I feel really good that I was able to spend a focused chapter defining that role, but I'm not someone that likes being in the same role forever.
When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.
I primarily look at how a role is laid out by the director. I take into consideration my co-stars, before signing a role.
People should look up to me. Young kids. I am a good role model. I'll show them how men should really be. And kids can take note from that. I am a good role model. Lots of kids look up to me.
I don't feel that I'm a role model. I'm just me. If people want to look up to me then that's their business. I'm not perfect and I don't consider myself to be a role model. But to be honest, I'd much rather my kids look up to me than look up to some rock star who gets off jail more times than is even funny.
It's difficult to say no sometimes. I often hear, "They'll really take care of you," or "Someone else is going to take the role if you don't play it." Some of the best advice I ever received was to always ask myself: Am I going to kill myself if somebody else takes this role? The answer is almost always no.
If you look at my body of work, my characters drastically vary, and so I typically don't play the same role. It makes me feel reborn with each role.
Often times we feel like either we can't make a world of difference, or we feel that it's not going to change anything anyway. The truth is you can change someone's day, you can change someone's life, but you have to show up and do what you got to do to actually see any fruit coming from it.
I don't have one role that I'm particularly fond of doing, and I don't really look for it to differ all the time, but I will try anything and do anything. If it's a role I connect with, I'll go for it, no matter what's involved.
If someone had said to me ten years ago "Yo, we have this role of this pimp who wants to be a rapper, he lives in Memphis", I'd be like, "Really?" But then when you read it and you see it, you say "That's a great role."
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