A Quote by Tabu

I avoid seeing my films as far as possible because if I don't like anything, I can't change it or do it again. — © Tabu
I avoid seeing my films as far as possible because if I don't like anything, I can't change it or do it again.
I'm grateful for anything that reminds me of what's possible in this life. Books can do that. Films can do that. Music can do that. School can do that. It's so easy to allow one day to simply follow into the next, but every once in a while we encounter something that shows us that anything is possible, that dramatic change is possible, that something new can be made, that laughter can be shared.
I would like to continue producing films with Salman and associate with him again and again, if that is possible.
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
Honestly I'm excited about the possibilities of what comes next, and the funny thing is, that is sort of what "Star Wars" is kind of about. I mean, I remember being 10 years old and seeing that movie and leaving the theater and feeling like, oh, my God, anything is possible. And I feel like anything is possible right now. I don't know what's next, but I look forward to it.
As far as actors who pop up again and again in Japanese dubs, and because they're really good actors, people like Steve Bloom, not only in 'Cowboy Bebop,' but also he's sort of the de-facto Wolverine. If you're doing an animated Wolverine anything, Marvel usually just goes to Steve first because he's recognized as that voice.
Before seeing Truffaut 's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity a poetic comedy that's really funny.
You see thousands of films you forget the minute you come out of the cinema, don't you? Because they don't mean anything. It's the tough ones like 'Breaking the Waves' and 'Nil By Mouth' that stay with you, that you never forget. I'd like to leave a few of those behind if possible.
I think we shouldn't be shy of thinking that we can interpret text like a movie again, depending on the point of view and what we do with it more than anything else. Of course a lot of remakes of important films, particularly of horror films, they suck.
That's reality, it's accessibility. People are used to seeing me like that for the last year, I think, ... To avoid it is avoidance. We're not going to avoid things.
I avoid literature whenever possible, because whenever possible I avoid myself.
To die, and thus avoid poverty or love, or anything painful, is not the part of a brave man, but rather of a coward; for it is cowardice to avoid trouble, and the suicide does not undergo death because it is honorable, but in order to avoid evil.
The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things. What happened, happened.
I have always tried to make profitable films because people's offices shut down if films fail, and I will do everything to avoid that.
It is not possible to control the outside of yourself until you have mastered your breathing space. It is not possible to change anything until you understand the substance you wish to change.
Many will, no doubt, prefer to retain old unsystematic names as far as possible, but it is easy to see that the desire to avoid change may carry us too far in this direction; it will undoubtedly be very inconvenient to the present generation of chemists to abandon familiar and cherished names, but nevertheless it may be a wise course to boldly face the difficulty, rather than inflict on coming generations a partially illogical and unsystematic nomenclature.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
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