A Quote by Tabu

I should be satisfied first as an actor with my work. I will not do something because everyone is doing it. — © Tabu
I should be satisfied first as an actor with my work. I will not do something because everyone is doing it.
I think no actor should be ever satisfied because there is always something new to do, something fresh to get challenged by.
The audiences like to think that satire is doing something. But, in fact, it is mostly to leave themselves satisfied. Satisfied rather than angry, which is what they should be.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
Everyone should find something they love doing. Then work isn't work. It's a part of themselves. Of who they are.
You have to believe in yourself and always strive for the best. Whether that is getting the best actor, the most talented cinematographer, or the best location for your story, you have to have the hunger to want it and be willing to do what it takes to get it. A filmmaker should never be satisfied with their work. There should always be something that they want to improve on.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.
The first time I thought I should be an actor was in school. I thought, 'At least this is something for which I won't have to study.' But I've realised that an actor needs to be constantly unsure about what he's doing and about what's going on around him. The moment you think you've nailed it, you're dead.
I think everyone has shame about something, whether it's a lack of a relationship with a child or maybe their weight or a lack of communication within their marriage. Everyone can relate to that because we all have something that we're like, 'God, I can work on that,' or, 'I wish I was better at doing this.'
As far as being satisfied, I just don't think you should work towards being satisfied. If everybody were satisfied, we'd never get anything done.
If you want to be an actor, you should just get out there and do it. I don't go for the approach of first getting photos and an agent. I think you should start with the work, and the other stuff will follow. As with 'opportunity knocks,' you have to be ready.
It's rough to feel creatively satisfied, as an actor, for the most part, because you don't initiate your own work.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
The whole time I've been an actor, from early in Houston, my goal has been to work - to keep doing it. I feel at my most satisfied as a human being when I'm working on a role.
I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing; it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think; I finish because I don't have the courage to quit. This book is my cowardice.
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