A Quote by Tadashi Suzuki
There are two impulses in theatre: to be frivolous or to make rules.
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As you always discover when you make something, typically if your object isn't frivolous, people's relationship to it isn't frivolous.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
The fact is that 'The Wizard Of Oz' has never really worked in the theatre. The film has one or two holes where, in the theatre, you need a song. For example, there's nothing for either of the two witches to sing.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
Our impulses are our birthright. To alter personality would be unjust, almost criminal, for the impulses that make a fool or worse of us in certain circumstances may be necessary for our happiness.
I hate rules. I hate 'This is the way things are done'. I hate a lack of reinvention. I hate theatre as an archeological exercise. Theatre needs to be urgent.
Anybody can lead a frivolous life. A frivolous writer, however, must have taste and intelligence.
Sometimes I was frivolous. Did you have some frivolous years? I had to live mine out in public.
How often a new affection makes a new man! The sordid, cowering soul turns heroic. The frivolous girl becomes the steadfast martyr of patience and ministration, transfigured by deathless love. The career of bounding impulses turns into an anthem of sacred deeds.
Did you ever find that there is room between the two opposing rules of a paradox? That space between two almost opposite rules is the ground where I play and write.
In racing, you want to win - there are no rules, and you can do whatever you want. Flying a plane is the opposite: you respect rules and fly to the rules. You can't possibly compare the two.
Sex is two plus two making five, rather than four. Sex is the X ingredient that you can't define, and it's that X ingredient between two people that make both a man and a woman good in bed. It's all relative. There are no rules.
The old rules are crumbling and nobody knows what the new rules are...so make up your own rules.
I'm probably only going to make 10 movies, so I'm already planning on what I'm going to do after that. That's why I'm counting them. I have two more left. I want to stop at a certain point. What I want to do, basically, is I want to write novels, and I want to write theatre, and I want to direct theatre.
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
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