A Quote by Tadashi Yanai

It is clothes. It is parts. Therefore, you combine the parts differently to create your own unique expression. — © Tadashi Yanai
It is clothes. It is parts. Therefore, you combine the parts differently to create your own unique expression.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
You create history within yourself. You create history within your own family. You create your own legacy. Because I create history without even trying to and that's when the best parts of history are created.
I never, never lend any of my own clothes for parts any more because you lose your clothes; they become the characters' clothes, and you can never wear them again.
I think it is no small attraction in a painter to be able to give a pleasing air to his figures, and whoever is not naturally possessed of this grace may acquire it by study, as opportunity offers in the following manner: be on the watch to take good parts of many beautiful faces of which the beautiful parts are established by general repute rather than by your own judgement, for you may deceive yourself by selecting faces that resemble your own, since it often seems that such similarities please us; ... so therefore choose the beautiful ones as I tell you and fix them in your mind.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
Defeat Them in Detail: The Divide and Conquer Strategy. Look at the parts and determine how to control the individual parts, create dissension and leverage it.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
Each time you choose not to act on a frightened part of your personality, you create authentic power - and you grow spiritually. The frightened parts of your personality come less frequently and with less intensity, and the loving parts fill more and more of your consciousness.
It required 85 parts by weight of oxygen and 15 parts of hydrogen to compose 100 parts of water.
There is no gene "for" such unambiguous bits of morphology as your left kneecap or your fingernail. [...] Hundreds of genes contribute to the building of most body parts and their action is channeled through a kaleidoscopic series of environmental influences: embryonic and postnatal, internal and external. Parts are not translated genes, and selection doesn't even work directly on parts.
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.
I like acting because I get to find different parts of myself, or at least create different parts that don't already exist, and see the world through someone else's eyes.
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