A Quote by Tahir Raj Bhasin

I think as an actor, you have to make yourself vulnerable to emotions. — © Tahir Raj Bhasin
I think as an actor, you have to make yourself vulnerable to emotions.
I think that when you make yourself vulnerable, the thing that you do next is better. It's not like you have to inflict pain on yourself in order to make yourself better, but I think it helps. The thing that bonds you to a new friend isn't that you went to a really fun party; it's 'cause you had a really weird, sad conversation.
To share your weakness is to make yourself vulnerable; to make yourself vulnerable is to show your strength.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
I'm a person who doesn't necessarily enjoy feeling vulnerable, so I think my loved ones and my family make me feel vulnerable. Also, being connected with people when I'm working is a very vulnerable place to be.
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, 'Oh, that must have happened to him,' that's when you know you're transmitting. It's like being a good actor. You make people feel things, emotions and what not.
Emotions are what make us human. Make us real. The word 'emotion' stands for energy in motion. Be truthful about your emotions, and use your mind and emotions in your favor, not against yourself.
As an actor, I feel that my work makes me very vulnerable. I have to be emotionally available to serve the scene I'm doing. You never quite know where your emotions will take you.
As an actor, we have to be so vulnerable that it's really hard to involve yourself with the other aspects of filmmaking.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.
I think it's important to be vulnerable and to pay attention to your emotions.
I think you have to be very secure as an actor to escape yourself - to revisit someones past, whether youre portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
One cultivates spaciousness or awareness which allows you to acknowledge the emotions and see them as part of the human condition. Emotions are like subtle thought forms and they all arise in response to something outside yourself. They are all reactions. You cultivate a quietness in yourself that watches these emotions rising and falling and passing away.
You have to be able to compete, put yourself out there, make yourself vulnerable, to go for something that you want.
I think being in touch with your emotions is very key as an actor, and I think experiencing life is the only way to be in touch with your emotions.
I think you have to be very secure as an actor to escape yourself - to revisit someone's past, whether you're portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
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