A Quote by Tahir Raj Bhasin
As an actor, you want convince the audience that you can do different things. So, if I have to run in slow motion, I am more than happy to romance.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
The more I run, the more I want to run, and the more I live a life conditioned and influenced and fashioned by my running. And the more I run, the more certain I am that I am heading for my real goal: to become the person I am.
Every podcast network has a different culture as far as I can tell. How they run things at Nerdist is totally different than how they run things at Earwolf is totally different than All Things Comedy or Maximum Fun or Feral Audio. And it's different if it's independent.
I try to make movies that I would want to go see rather than ones I would just want to do as an actor. I want people to have movies full of romance and hope and empowerment, something they can escape into and feel good about. I love happy endings.
Well you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have. I'm not alone on stage but with a group of musicians. So the more the music is successful, the more the audience feel happy about the music. It's the responsiblity of an artist to make his fans happy. That is proposition. I'm always talking about proposition.
With my work in 'Mardaani' being well-received, I am more aware than ever that I have to keep the game up. I don't want to disappoint myself as an actor first and let my audience down.
The audience has changed. People want something different, they want variety. As an actor, we also seek variations in characters. That's the only way an actor matures.
More important than having a romance with the object that I'm drawing, is to have a romance with the mark that I am making.
Slow motion is so visually cinematic; when you create that, you create it for your audience, you let them have the feeling of what it must be like to be there. And in a movie, you can't forget the audience.
You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.
Why should I practice running slow? I already know how to run slow. I want to learn to run fast.
As an actor, I am happy that I am able to entertain the audience.
I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.
I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.
I think, often, people who run away are people who got into things most enthusiastically, and then they want more. They just demand more of life than what is happening in the moment. Sometimes this is a great mistake, as it's always a good deal different than you expect it.
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