A Quote by Tahir Raj Bhasin

My only criteria while selecting roles is that it should be a lead part in an interesting story where the character has depth and layers. — © Tahir Raj Bhasin
My only criteria while selecting roles is that it should be a lead part in an interesting story where the character has depth and layers.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles. Does that make sense?
I want to play roles where my absence should be felt. It may not necessarily be a lead role, but my character should be crucial to the show.
I want to do interesting characters with depth, which are a part of great stories. In fact, if the character is quirky and challenging, that's even better.
As an actor, you want to be able to move your character forward into new ground, but also it's really interesting to go backwards and unpeel those layers and the interesting elements of what your character is and what informs the decisions that you make so that you can have as much meat to work with.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
There is always going to be depth and layers to people and that's what interests me in a character: when there is some problem to overcome, when there is a complication to understand in a person.
It's our challenges and obstacles that give us layers of depth and make us interesting.
If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.
I didn't want to do character roles because when you are doing comic characters, you only get character roles.
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