A Quote by Tahir Raj Bhasin
As actors, that has been challenging for us to pick up the nuances of the living legends we are playing.
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'Mercury' is one of the most challenging projects I have worked on. From the nuances of the actors' expressions to the minute technicals of the movie, everything needed to be monitored and looked into. The actors were required to emote purely with their face.
It is up to us, to everyone at Celtic Park, to build up our own legends. We don't want to live with history, to be compared with legends from the past. We must make new legends.
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!
It was just as the 1914 War burst on me that I made the discovery that 'legends' depend on the language to which they belong; but a living language depends equally on the 'legends' which it conveys by tradition. ... Volapuk, Esperanto, Ido, Novial, &c &c are dead, far deader than ancient unused languages, because their authors never invented any Esperanto legends.
League of Legends' is banned in my house and rightly so. It is just awful. In the past, I've been staying up and playing it. Then all of a sudden, it is 6 A.M., the birds are tweeting and I'm thinking: 'Oh my God, I've got to get up in a couple of hours to take my son Alexander to school. Then I've got to practise.'
I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.
There's ten of us, we've been best friends for thirty years. Ten guys. And their wives, and their kids, are all family now. I'm not big on keeping up on the phone, none of us are. Some guys I won't talk to for two months and then you pick up the phone and hear, "So, anyway." There's no guilt or where have you been? or what's been going on? or why haven't we talked? There's an ease to it.
As soon as you pick up a guitar, you're up against the legends of rock. The same goes with stadium drum kits and electric bass. Essentially, you're already in a soundscape that's very familiar and has a lot of established legendary material recorded using those instruments.
I think it’s because there's quite a few of us now but because we’re less frequent than American actors - because Hollywood is the place to be for actors - and there's just a big rush when an Australian comes over just because there's less of them. I guess that's just how it is. Like if you pick a pink jellybean out of a jar of green ones it’d be amazing, but if you pick a green one, no one will care.
If the role is challenging enough, I don't see why I shouldn't play an older man or a father figure. It is not about playing what you are in real life. We are called actors for a reason!
It might be different for people that are A-list actors, but a lot of us really look at what's offered to us and look for something that has some traction with other people. But, it's not like I read 100 scripts a week, and then pick and choose. Maybe some actors do. I certainly don't do that.
I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree.
I find directing so incredibly rewarding and challenging and humbling and exciting and engaging. Scenes become challenging. Actors bring out the best of you. Circumstances demand you dig deep.
Texas is so wrapped up in myth and legend, it's hard to know what the state and its people are really about. Real Texans, raised on these myths and legends, sometimes become legends themselves.
It's a different rhythm than most movies. For a lot of the actors, you're 12,000 miles away from home. It becomes a way of life - getting up at five in the morning, shooting every day, day in day out, for 270 days. The new cast playing the dwarves were carrying incredibly heavy weights in their suits, they sat through hours of make-up every day. So it's quite challenging from a stamina point of view.
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