A Quote by Tahir Raj Bhasin
There is something very exciting when you're playing a villain. You're being a rebel within the story because you are breaking the norms, and also when it comes to the structure of what a conventional lead is supposed to be.
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I can't tell people how much fun it is to be a super-villain. Being a villain is cool, but being a supervillain is a different level of exciting.
It's very exciting to be able to just work in this business, let alone on stuff you are extremely proud of. So it does make me a little nervous, because 'Breaking Bad' is so special. It's great being part of something so great because people pay attention to you, hopefully because you're doing good work.
I was a pretty good kid, but I also knew when it was worth breaking the rules. I don't think that makes you a rebel, though, because that's still exercising some type of caution.
I'm incredibly grateful to be playing the villain in a world which, if I really thought to hard about what I was doing, I would get very nervous about the size and the magnitude of the importance and responsibility of being a villain in the world of 'Batman.'
There are a lot of experimental novels that test the boundaries of what the novel is, and 'Conversations' is not one of those. It's conventional in its structure, even though its prose style and the themes it explores and the politics that underpin it, maybe, are on the experimental side. Its basic structure is pretty conventional.
Within a social structure, a familial structure, or a cultural structure of various kinds, there is a substitute for actual freedom. I mean, actual freedom is a very abstract notion; we have no idea what it means, except within a context - freedom to do what? So within these social structures, freedom becomes defined as power, your ability to make choices, and the power relationship within a family, any family.
Whenever you take on playing a villain, he has to cease to be a villain to you. If you judge this man by his time, he's doing very little wrong.
Without any intended hubris, I've lead a pretty exciting life. What I've tried to do in Mission Compromised is draw on those experiences to create a sense of excitement and realism within the story
Without any intended hubris, I've lead a pretty exciting life. What I've tried to do in Mission Compromised is draw on those experiences to create a sense of excitement and realism within the story.
Anyone who was a rebel at one time in life cannot return to being conventional.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
You have to really swallow your pride and admit that you want to make a comeback. And that means that you weren't at your best and I feel like I stopped being who I needed to be. When I started making this record "Born Villain", I didn't want to be what I used to be but I certainly didn't want to be what I was at the time. I knew that I was supposed to be something better then what I was. I feel that I am close to being what I'm supposed to be and am enjoying what I'm doing here.
I was not supposed to talk in front of males and had to wear only full clothes, totally covered from head to toe. All these thoughts made me a rebel. I became a rebel because I was suppressed a lot and was not allowed anything except for education.
I'm not an activist. I'm a filmmaker. I'm a dramatist. My strength is to tell a story, to find a way to tell a story that makes it exciting. Our Untold History was a huge challenge. Snowden was no piece of cake, because writing code and breaking code is some of the most boring stuff you've ever seen.
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