A Quote by Tahir Raj Bhasin

Nitesh Tiwari is so particular about his pre-production, where he plans every aspect of his film. — © Tahir Raj Bhasin
Nitesh Tiwari is so particular about his pre-production, where he plans every aspect of his film.
It is a blessing for any actor to be in a Nitesh Tiwari film. It is every actor's dream to work with him.
As an actor, 'Chhichhore' has been one of the most creatively fulfilling projects and I thank my director Nitesh Tiwari for making me a part of his vision.
I'm truly humbled to work with epic minds like Nitesh Tiwari and Kabir Khan.
I greatly admire how the essence of Nitesh Tiwari's films resonate with you long after you've left the theatre.
Rajkumar was the winner of 'Naalaya Iyakkunar Season 2,' and I was impressed with his short film. He joined me as an assistant when I started the pre-production work for 'Vada Chennai.'
Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him.
I don't believe in development. I believe in pre-pre-production, so when I sit down with an idea for a movie, I'm thinking I'm going to make this film. I don't think about anything else.
Pre-production and post-production is something that I've never been exposed to. I was pleasantly surprised that you could accomplish a lot during pre-production.
Theodore Roosevelt crafted a masterpiece of service. He served people in every aspect of his life. His legacy was transformational, encompassing his family, his nation and the world.
I think some people get confused between development and pre-production. In pre-production, you know all your dates.You know when you're aiming to release the film. You've got your script. You've got everything sorted.
When you go into pre-production on a movie, you can spend weeks and even months working on the nuances of the animatronics on the bear head. If we were to write a sketch about an animatronic bear on 'SNL,' we'd have to come up with every aspect of the suit within 24 hours.
Everyone rushes his life on, and suffers from a yearning for the future and a boredom with the present. But that man who devotes every hour to his own needs, who plans every day as if it were his last, neither longs for nor fears tomorrow.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
I have a notebook, and I know what decisions will be made in pre-production. Everything is pre-determined in the pre-production period. I visually design the whole thing, and I know when things will happen.
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