A Quote by Tahir Raj Bhasin

Acting is about being in the moment and audiences are smart to know what is authentic and what is not. — © Tahir Raj Bhasin
Acting is about being in the moment and audiences are smart to know what is authentic and what is not.
My thing is about being authentic and when people say I'm not being authentic, it hurts my feelings.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
Very smart people are often tricked by hackers, by phishing. I don't exclude myself from that. It's about being smarter than a hacker. Not about being smart.
Great acting is all about being in the moment, being in the present tense.
A wonderful acting teacher I love, Josh Pais, has a system I love for being in the moment in acting, but also in life. And one of the things he reminds me of is to take a moment and just be here now.
I think being completely authentic about the time you live in is something that I would view as a career-long objective - to find out what is authentically this moment.
There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
Audiences can tell when you're being fake and they will eat you alive. But if you're doing something authentic they will connect to it and that can lead to commercial success.
Being smart in the arts is the same as being smart in engineering is the same as being smart in writing is the same as being smart in anything, really. It's the ability to manipulate all the pieces of the puzzle in your mind, try to fit them together, and when they don't fit quite right... you sand the edges/corners and make them all fit.
A lot of times, when you're acting, you have to explain things to the audience, and it's boring work to do that. It's really hard to make that interesting. I like the discovery of characters. I think people are smart. Audiences are intelligent and can figure things out by just watching behaviors.
I want to be silly, and that's being authentic just as much as being open and honest. It's authentic to make weird clown horn noises when it strikes you.
You have to remember that for more than half my life - probably until my children were born - acting was everything to me. I was obsessed by it, and I spent so much time just trying to get to the point where I was being paid to do it. Literally, I spent every waking moment thinking about acting.
If you look at the whole world now it's just computer games, graphic novels, film, TV spinoffs, spinoffs of spinoffs like Deadpool spinning off of Wolverine. So I think that any kind of smart producer looks at all of those bases. Once it comes down to the integrity of it audiences are very smart, they smell that they're just kind of being played.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
You want to know the hardest thing about being smart? What? I pretty much always know what's going to happen next; there's no suspense.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
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