A Quote by Tahir Shah

The very fact that a Frenchman was prepared, after two minutes of conversation, to be so friendly towards anyone, especially one who had come from England, made me restless.
When you watch Barcelona play you want to see Lionel Messi score two goals. If he hasn't after 80 minutes you can perhaps get restless.
If you've ever had the experience of being in conversation with someone when they were fully present, listening deeply to you when you're sharing with them, you know that five minutes of a fully present conversation like that can be more powerful than 30 minutes of distracted conversation.
When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.
Mine is, after all, the generation that had come to maturity drinking in the forebodings of the Silones, Koestlers, and Richard Wrights. It had left us ill-prepared for decisions that had to be made in our own time about Algeria, Birmingham, or the Bay of Pigs.
I was at Roma for two years, had two great seasons there, and everyone told me to stay, but it was in my mind to come and be successful in England.
I always made my songs very conversational, and if anyone ever has a conversation with me, they know I'm a very open guy, very open and honest.
Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.
I had a place in England and was commuting from England to Australia, which is pretty stupid, but after two years I sort of knew what I wanted to do, more or less.
...I couldn't let go of the thought that it had, in fact, been he, restless and moody Heathcliff. Day after day, he floated through all the Wal-Marts in America, searching for me in a million lonely aisles.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
I had a bad break up at university - you know, when your heart breaks for the very first time, and you think, 'I must leave this island,' as if it had never happened to anyone before. I said 'OK, I'll go to England,' and it was the best decision I ever made.
I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.
I had come in time to learn that it was a mistake to smile a friendly smile when somebody made a fool of me.
Yet somehow the thing that startled me most, after a week or two had passed, was that I had in fact survived.
After the World Cup, the next two or three days there is a lot of celebration, a lot of obligation, towards the country, towards the French Federation, towards the fans. And then, after that, you feel so empty - mentally and physically. It's a long tournament; it demands a lot of energy and a lot of emotion.
An hour and seven minutes after walking up. I stood with Noelle outside the Trust's house and prepared to raise my first -- and hopefully only -- demon. Three minutes after that I looked at my demon and burst into laughter. "What?" the demon asked, turning its head 360 degrees to examine itself "What's so Funny?" "Why is the Summoner laughing and crying at the same time? I don't see what's so funny. I'm a demon; where's my respect? Where's the fear and cowering before me?
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