A Quote by Tahir Shah
Back at the Chateau Windsor there was a rat-like scratching at the door of my room. Vinod, the youngest servant, came in with a soda water. He placed it next to the bag of toffees. Then he watched me read. I was used to being observed reading. Sometimes the room would fill like a railway station at rush hour and I would be expected to cure widespread boredom
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...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
If I were founding a university I would begin with a smoking room; next a dormitory; and then a decent reading room and a library. After that, if I still had more money that I couldn't use, I would hire a professor and get some text books.
Embraced by the Light. It's about a woman who passed away during surgery, and she went to heaven, had her experience, and then came back. My dad [Robert Kardashian] would try to get me to read it, and I wouldn't. Then when he passed away, I was cleaning out my room in his house, and I found it. I read it, and it helped me. I felt like my dad was okay.
I watched horror films growing up, and I would love watching them with friends. But then, I would spend the next week sleeping in my parents' room because I would be so scared.
My dad would let me leave work an hour early if I had a game. I'd drive back an hour to Bournemouth, get my bag ready and be off to the game for a half six meet - so on a Tuesday it was a rush.
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
I would like to be remembered as the reporter who snuck back stage to all the off-limits shows, be it the Vatican dressing room, the Pentagon war room, or the Celtics locker room. Some curtains ought never to be pulled back; others deserve to be ripped down. When appropriate, I want to be the curtain remover.
When I was a kid, I used to be afraid of the dark. I would stand at my door, turn the light off and dive into bed. One night, as I did that, there was this gigantic spider next to my pillow. I hit the bed and bounced straight back up When I turned the light back on, it was already gone. I could not sleep in my room for days.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me.
When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone. “Does your sister read our books?” Anna wanted to know. “No. She reads literature.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down.
To fill a small bag means selecting,and choosing, and evaluating. There's no logicial end to that process. Pretty soon I would have a big bag, and then two or three. A month later I'd be like the rest of you.
When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'
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