A Quote by Tahir Shah

As a travel writer I've specialized in gritty, fearful destinations, the kind of places that make a reader's hair stick on end. — © Tahir Shah
As a travel writer I've specialized in gritty, fearful destinations, the kind of places that make a reader's hair stick on end.
What any writer hopes for is that the reader will stick with you to the end of the contract and that there is a level of submission on the reader's part.
At the end of the day, stick up for yourself whether you have spiky hair, long hair, blonde hair, black hair, whatever it is, stick up for yourself and go for your dreams because at the end of the day, you can pretty much accomplish anything if you put your mind to it.
Women are one of the most important segments of the adventure travel industry. Women make the vast majority of travel decisions in families - not only the destinations, but the activities. They are the predominant adventure travel planners.
I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident.
I am obsessed with planning travel! Not just traveling, which I love, but the whole planning process and all the details that go into it. I subscribe to all these travel blogs and airline forums and research hotels and activities and destinations for hours on end, and I volunteer to plan trips for everyone I know.
Authors have established it as a kind of rule, that a man ought to be dull sometimes; as the most severe reader makes allowances for many rests and nodding-places in a voluminous writer.
At the heart of Christian ethic is humility; at the heart of its parodies, pride. Different roads with different destinations, and the destinations color the character of those who travel by them.
If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
Any writer who gives a reader a pleasurable experience is doing every other writer a favor because it will make the reader want to read other books. I am all for it.
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
In the broadest possible sense, writing well means to communicate clearly and interestingly and in a way that feels alive to the reader. Where there’s some kind of relationship between the writer and the reader - even though it’s mediated by a kind of text - there’s an electricity about it.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
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