A Quote by Tahj Mowry

I always walk around with a few moves in my pocket. You never know when you may need to bust one out. — © Tahj Mowry
I always walk around with a few moves in my pocket. You never know when you may need to bust one out.
I'm not gonna deny it, I walk around with hundred dollar bills hanging out of my pocket.
Love is tricky. It is never mundane or daily. You can never get used to it. You have to walk with it, then let it walk with you. You can never balk. It moves you like the tide. It takes you out to sea, then lays you on the beach again. Today's struggling pain is the foundation for a certain stride through the heavens. You can run from it but you can never say no. It includes everyone.
A handkerchief can never be put in another pocket after it has been in one pocket. I don't walk under ladders. I have items of clothing that are lucky for me. That rotates, but I am luck-oriented.
I know how to deal with jet lag, and I know just how much rest I need and when I need to take naps. When you walk on stage, you need your brain working at its highest and most fully-functioning, so it's not always easy, but I sort of figure it out.
We need to walk to know sacred places, those around us and those within. We need to walk to remember the songs.
There's always a Justin Bieber. Ever since I've been around, there's always been one of him. You know, you can trace it back from how old you are and the boy bands that came along then and the teen sensations and whatnot. And, you know, good for them. There's a few of them that make it out and a few of them that don't.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
I always felt like hanging around the pocket was trouble, but the truth is, the great players take the beatings in the pocket and expose themselves -- and that is the real risk.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
I guess the closest I came was doing chores around the house to earn pocket money. My brother and I would have to do the washing up, cleaning around the house, walking my grandparents' dog, lots of things. We didn't get a huge amount but it was always enough to be able to walk down to the local shops and get some sweets.
Sometimes, I can be crying my eyes out, wanting to die, and then I'll walk by a mirror and see myself and just bust out laughing.
I walk around a lot secretly. Even when I use a car, I park it briefly and walk. It seems that I still need some time alone to think and sort out things myself.
History is fickle. We know that. The good and bad come around and go around, and go around again. There are recessions and depressions and economic boom and bust.
With faith . . . we must walk to the edge of the light and into the darkness. As we so walk I testify and promise that the light will move. When I was your age and wondering some of the exact same things that you are now wondering, I never would have imagined that someday [we] would be at Ricks College serving as we are. . . . I know the light moves as we walk in faith to the edge of the light.
We need to walk, just as birds need to fly. We need to be around other people. We need beauty. We need contact with nature. And most of all, we need not to be excluded. We need to feel some sort of equality.
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
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