A Quote by Taissa Farmiga
I can't say that I fully relate to things that I play. Sometimes it's nice to spend half the day crying; then you don't have to do it in real life.
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It's nice to be able to play a guy who gets to say all the things that you don't get to say in real life.
Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.
And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
There's a constant chatter in our house, whether it's giggling or screaming or crying or banging. I love it. I love it. I love it. I hate it when they're gone. I hate it. Maybe it's nice to be in a hotel room for a day - 'Oh, nice, I can finally read a paper.' But then, by the next day, I miss that cacophony, all that life.
I get up every day and work in the morning. I have my coffee and get to work. On good days I look up and it's dark outside and the whole day has gone by and I don't know where it's gone. But there's bad days, too. Where I struggle and sweat and a half hour creeps by and I've written three words. And half a day creeps by and I've written a sentence and a half and then I quit for the day and play computer games. You know, sometimes you eat the bear and sometimes the bear eats you. [Laughs]
I want to spend my life with someone and do nice things and go on adventures, read books and have nice food and celebrate things. I don't want to spend the rest of my life in the bedroom like some people who just go to bed and never get out again.
At the beginning of a remodel, money is everything, but as you go along, it becomes secondary to the vision. You can't have the house looking like a glorious jewel and leave the cracked linoleum or the icky light fixture, so you spend and spend and spend. Then one day it suddenly occurs to you that all that play money you've been throwing around is real - and it's in someone else's bank account.
Sometimes directors come to me when I have to play some horrible thing, scary or hysterical or crying; they ask, 'Did you study somewhere to be an actress?' No, this is life. That's why I think I don't want to say you need a really bad experience to be a good artist, but bad experiences in your life say something.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
It's nice to have writers write nice things about you and guys on radio and TV say nice things about you, but the guy who's in the locker next to you is the one you play the game for.
Good horror is the kind that we can all relate to. We all know what it was like to be a child and hear something move in our room. Or how the teddy bear that was so cuddly and nice during the day turned into this horrible, foreboding shadow at night. Those are the kind of things that we all can relate to.
When you play the 12-string guitar,you spend half your life tuning the instrument and the other half playing it out of tune.
When you play the 12-string guitar, you spend half your life tuning the instrument and the other half playing it out of tune.
To be honest, when you're younger and cooler, you say those sort of things don't mean anything, but then on the day when they pat you on the back and they say, "Look, mate, we're noticing what you're doing-thanks very much;' you think of the people who spent a life in the cinema and didn't receive that kind of accolade, and it's sort of a humbling experience. And it's very nice and all that. But it doesn't change the way I do things.
I always thought that I would spend the first half of my life making money so I can spend the second half of my life giving it all away. And one of the defining moments of my life was when I realized that I could do both at the same time with TOMS.
Everybody can relate to feeling hopeless, at some point in their life, and everybody can relate to fighting for something that's worth fighting for, and everybody can relate to a person in their life that makes them go, "I don't know why you're here right now," but then, at the end of the day, realizing you'd do anything for them.
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