A Quote by Taiye Selasi

I've written fiction for as long as I can remember; it's always been my preferred form of play. — © Taiye Selasi
I've written fiction for as long as I can remember; it's always been my preferred form of play.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
I've long been interested in the role of 'minor characters' in major events. This has been the focus of a lot of the fiction and nonfiction I've written.
I will literally read anything, regardless of genre, fiction or non-fiction, as long as it's well written.
I'd been writing fiction for 50 years, since I was 19. And when you write fiction, it becomes a way of thinking: there's always a novel around. The strange thing was that after 'Remember Me,' there wasn't.
Reality and fiction are really mixed up. The frontier between reality and fiction is tremendously porous and slippery. And in fact, when I remember something that has happened to me a long time ago, let's say twenty years ago, many times I'm not sure if I have actually lived what I am recalling, or I have dreamed about it, or I have written about it, or I have imagined it all.
If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
Even when I was studying piano, I always preferred to play around with my own improvisations rather than do my studies. So I've always been interested in writing music from a very early age.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
All the plays that have ever been written, from ancient Greece to the present day, have never really been anything but thrillers... Drama's always been realistic and there's always been a detective about... Every play's an investigation brought to a successful conclusion.
I've always been surrounded by music. The arts have been in my life for a long long time. It was just always around. I can remember as far back as third grade, me rapping, pencil on the desk rapping type s**t. So I always had a passion for it.
I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
I've been writing in some way, shape, or form for as long as I can remember.
The novel has always been a contradictory form. Here is a long form narrative mainly read originally by consumers who were only newly literate or limited in their literacy. The novel ranked below poetry, essay and history in prestige for a long time.
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