A Quote by Taiye Selasi

The big ideas always come in flashes. I don't really craft stories that much. I genuinely don't know where these people come from, and I've often wondered if writing is just a socially acceptable form of madness.
The big ideas always come in flashes. I don't really craft stories that much. I genuinely don't know where these people come from and I've often wondered if writing is just a socially acceptable form of madness.
My ideas I can find anywhere. And I draw because I have to note down my ideas or flashes - I call them flashes, because they come to me, like that. Not so much in the plant drawings. I have to see them.
I have learned to respect ideas, wherever they come from. Often they come from clients. Account executives often have big creative ideas, regardless of what some writers think.
Writing is a socially acceptable form of schizophrenia.
Writing is a socially acceptable form of getting naked in public
We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.
Oh, we're very careful, Marilla. And it's so interesting. Two flashes means, "Are you there?" Three means "yes" and four "no." Five means, "Come over as soon as possible, because I have something important to reveal." Diana has just signalled five flashes, and I'm really suffering to know what it is.
I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo. But I don’t. I’m sort of the arcane equivalent of a classic computer geek. I do magic, in one form or another, and that’s pretty much it. I really need to get a life, one of these days
I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
Look, I come from vaudeville, I come from burlesque, I come from heartaches, I come from sadness, I come from gladness, I come from work and sweat and respect for the craft.
If a person has never given writing a try, they assume that a brilliant idea is hard to come by. But really, even if it takes some digging, ideas are out there. Just open your eyes and look at the world. Writing the ideas down, it turns out, is the real trick.
In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.
The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are.
I can easily come up with ten really iconic stories/trade paperbacks for Superman, Batman, others... name me ten equally big, iconic Wonder Woman stories. Much harder. That ain't the character's fault, that isn't sexism, that's just not servicing the character.
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