A Quote by Taj Mahal

When I was 5 or 6, I was messing around with the piano, and I listened to everything from Chopin to boogie-woogie. — © Taj Mahal
When I was 5 or 6, I was messing around with the piano, and I listened to everything from Chopin to boogie-woogie.
In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.
We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.
Chopin was the first piano composer who knew exactly how to make piano sound reach fullness, radiance and grandness. What to regard and what, by all means, to avoid. Chopin was keenly aware of the overtones and he did take care of them so artfully.
The first memory I have was my sisters dancing to the radio when they played records by Benny Goodman and Harry James and of the sort. But the record that got me was a record by Derek Sampson, who was a young guy, called 'Boogie Express,' and it was boogie-woogie. Really, it was on fire, and that got me.
The title of that great Christmas song was 'Boogie Woogie Santa Claus,' and no one ever heard of it.
All the girls walk by dressed up for each other, and the boys do the boogie woogie on the corner of the street.
My parents loved music, but they weren't musicians. So my musical training as a young kid was limited to piano lessons. I was not the best student; I was awful, never practiced. But I was always interested in just messing around on the piano.
Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? • • • • You think It's a happy beat?
When I was a kid I'd practise Chopin on piano - and I love Chopin! He's my dawg! Then I'd go out on the stoop and blast the radio. I'm from New York, the concrete jungle. Hip-hop influenced me from day one.
When I was a kid, I'd practise Chopin on piano - and I love Chopin! He's my dawg! Then I'd go out on the stoop and blast the radio. I'm from New York, the concrete jungle. Hip-hop influenced me from day one.
I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too.
Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Listen closely: You'll hear their feet Beating out and beating out a - You think It's a happy beat? Listen to it closely: Ain't you heard something underneath like a - What did I say? Sure, I'm happy! Take it away! Dream Boogie Hey, pop! Re-bop! Mop! Y-e-a-h!
Good evening, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Trilling the treble And twining the bass Into midnight ruffles Of cat-gut lace.
People are going to wake up to this great reservoir of music we've created in America - cakewalks, one-steps, boogie-woogie, country and western. I had a bit to do with one of those traditions.
My mother told me when I was a toddler and in the crib that they would have music playing, and the thing when I lit up was boogie-woogie or something out of the Louie Jordan period of sometimes big bands, and then all kinds of things.
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