A Quote by Taj Mahal
I was always looking for evidence of these common musical roots, but I was too young to know that what I was doing was called ethnomusicology.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
So that’s what we want is a secure and sovereign nation and, you know, I don’t know that all of you are Latino. Some of you look a little more Asian to me. I don’t know that. What we know, what we know about ourselves is that we are a melting pot in this country. My grandchildren are evidence of that. I’m evidence of that. I’ve been called the first Asian legislator in our Nevada State Assembly.
Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.
The serve, I was too young and too small and... not enough powerful to have a good serve when I was young, so my forehand was always my signature shot. So I used to always run around my backhand, you know, use my forehand as much as I could, and so that's why I think it's my strength also today, you know.
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
Fashion was always in me! The incentive to just get up and start my day by looking for an outfit to walk outside and look good, it was always in me. I think my parents and my family, my sister - when I was young, they always cared about, you know, looking good. My parents, they know how to dress.
My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I've always tried to keep in mind that I'm in grass-roots country and I'm grass-roots-born and -reared. I don't use the so-called 'sophisticated approach' to broadcasting that is used in other parts of the country.
My role - and that is too emphatic a word - is to show people that they are much freer than they feel, that people accept as truth, as evidence, some themes which have been built up at a certain moment during history, and that this so-called evidence can be criticized and destroyed.
I'm doing a new musical on Broadway, which opens in October called 'The Boy from Oz,' where I play Peter Allen. For those of you who don't know, he became first famous in America for marrying Liza Minelli.
I'm doing a new musical on Broadway, which opens in October called The Boy from Oz, where I play Peter Allen. For those of you who don't know, he became first famous in America for marrying Liza Minelli.
But you know, I'm not 25 anymore, and I have always said musical theater in particular is a young person's game. It requires energy, mentally and physically, to do it.
We have common enemies today. It's called childhood poverty. It's called cancer. It's called AIDS. It's called Parkinson's. It's called Muscular Dystrophy.
We are dying of preconceptions, outworn rules, decaying flags, venomous religions, and sentimentalities. We need a new world. We've wrenched up all the old roots. The old men have no roots. They don't know it. They just go on talking and flailing away and falling down on the young with their tons of dead weight and their power. For the power is still there, in their life-in-death. But the roots are dead, and the land is poisoned for miles around them.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
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