A Quote by Takashi Murakami

For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own. — © Takashi Murakami
For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own.
One of the things I've always loved about anime is that, even though it comes from Japan, it's so international - so much of the big anime I love takes place in Italy or France or New York.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.
For Americans of the Greatest Generation that fought World War II and of the Silent Generation that came of age in the 1950s, the great moral and ideological cause was the Cold War. It gave purpose and clarity to our politics and foreign policy, and our lives.
I've been watching anime for a minute, so I know like real weird deep anime that people probably don't care about.
The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
However, there is a fundamental difference between the issue related to Japan's history and our negotiations with China. What is it all about? The Japanese issue resulted from World War II and is stipulated in the international instruments on the outcomes of World War II, while our discussions on border issues with our Chinese counterparts have nothing to do with World War II or any other military conflicts. This is the first, or rather, I should say, the second point.
Geek cred points for trying to stump me, but sorry, you'll have to do better than that. Would you like to try anime for a hundred?" When she looked blank, he sighed. "What took it down, anime, or the Jeopardy reference?
I know Geno Atkins is a big anime fan. Cameron Jordan, Larry Warford, my boy Adam Gettis is a big anime fan.
When you're making anime, if you get all of your inspiration from anime... it's going to lack originality and creativity, so I try to get my inspiration from different genres.
I'm really inspired by the show 'Future Boy Conan' from the '70s. It's a really beautiful show, and I love shonen anime and shojo anime, and I like the thought of mixing them together.
The new fans of Japan won’t be Orientalists, but they will be anime-savvy.
Our generation was born during the turmoil following the First World War. That war marked the dividing line - at least for the Western World - between the comfortable security of the 19th century and the instability and flux of our own time.
I grew up watching anime, and the girls in anime have really rosy cheeks. That's how I got inspired to do my rosy pink cheeks on TikTok. I think it's really cute.
I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.
Inside me, 'Dragon Ball' became a thing of the past, but later, I got upset at the live-action film, revised the script for the anime film, and complained about the quality of the TV anime. I guess, at some point, it became a work that I like so much that I can't leave it alone.
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