A Quote by Takeoff

We owned the mixtape game, and every mixtape we put out was like an album. — © Takeoff
We owned the mixtape game, and every mixtape we put out was like an album.

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I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
Before I had my daughter I actually wanted to do something that I could put out for free, like a mixtape, but it wasn't going to really be a mixtape, it was just going to be songs that I wrote and release for free.
"Snapped" happened maybe like two months after I released the mixtape. I just like took a break from recording and that was the first song I wrote and recorded after the mixtape.
I was thinking about how a playlist is really so inadequate as opposed to a mixtape because it takes seventeen days to really make a mixtape with a homemade cover that you like and that you'd give away.
I'm working on a mixtape called I Made Hip-Hop Smile. It's going to be a free online mixtape. I think it's going to get some crazy buzz. We have a few marketing campaigns, that I think are going to make it pull through.
A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts.
Don't get 'Return of The Mac' confused as a solo album. That was just a mixtape.
I'm gonna put out another album and then another album after that. And then I'm gonna put out a mixtape, and then I'm gonna put out another ten songs, and then I'm gonna put out a hundred more songs and a thousand songs after that.
With each project, whether it's an album or a mixtape, I try to learn more in the process.
I am international. When I put out my second mixtape, we did four tours and a tour overseas.
I'm not the mixtape guy who's gonna put out a new one every month. I'm gonna allow my albums to marinate and resonate and whatever type of 'ates' they can do. I'm gonna let my music grow on them.
If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
When I was, like, 18, that's when I started to really take my own craft seriously and just noticed people were enjoying it. And when I put out my first mixtape, that's when I realized I could make this a career.
How many people can say they had Anna Wintour on a record? Not even an album, just a mixtape? It's audacious, disrespectful, and I feel like it's a little bit raw, and that's what Dirty Money is.
A mixtape is for the street, it's something you without necessarily thinking about it, because you have to stay in the game. It's like writing an e-mail saying hello to your friends.
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