A Quote by Takeshi Kitano
Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."
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I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
America is a noisy culture, unlike, say, Finland, which values silence. Individualism, dominant in the U.S. and Germany, promotes the direct, fast-paced style of communication associated with extraversion. Collectivistic societies, such as those in East Asia, value privacy and restraint, qualities more characteristic of introverts.
A democracy flirts with the danger of becoming a slave in direct ratio to the numbers of its citizens who work, but do not own / or who own, but do not work; or who distribute, as politicians do, but do not produce. The danger of the "slave state" disappears in ratio to the numbers of people who own property and admit its attendant responsibilities under God. They can call their souls their own because they own and administer something other than their souls. Thus they are free.
I'm probably more personal when I'm acting than at any other time. More open, more direct. Because it allows me to be something that I can't always feel comfortable with when I'm living my own life, you know? Because it's make-believe.
Not that the moderns are born with more wit than their predecessors, but, finding the world better furnished at their coming into it, they have more leisure for new thoughts, more light to direct them, and more hints to work upon.
If people feel misled or deceived, then sorry that they feel that way, but I believe that's more due to their definition and construct of race in their own minds than it is to my integrity or honesty, because I wouldn't say I'm African American, but I would say I'm black, and there's a difference in those terms.
When I direct my own scripts, it's much easier as it's been in my head for a year already... What I love about this is having an idea and seeing it come to fruition on screen. I would like to direct someone else's script one day, but I might not get round to it before I die - you can't legislate for being hit by a bus!
I think when people have the freedom to tell their own story rather than trying to be specific to a certain design or style, there's more freedom, and it ends up feeling more like home. Those spaces we see in magazines and on the Internet are beautiful, but if there's not that story there, then it's going to lack that feeling of home.
I like to direct movies, but I don't like to goof around for eight years talking about it. And it's pretty irritating to get a movie on. So to complicate it by having more irritation as a director, I don't really need it. And because I direct a great deal still, but in the theater, I kind of get that anyway. Which is not at all to say I would never do it again, or it would never happen again.
There is an appalling amount of mechanical work in the artist's life ... Talent is mysterious, but the qualities that guard, foster, and direct it are not unlike those of a good quartermaster.
Our own personal salvation is to say, "I'm not going to judge myself, or let other people judge me, by my economic worth." We can't, obviously, control how other people will judge us, but - Life's too short to worry about those things. We can't control those things, but we can control how we feel about ourselves. And we work towards that. To say, "My life has been a success. Even if my bank account doesn't indicate it."
That's why I won't direct film or telly. I can't do those early mornings anymore. I will only direct theatre because that starts at nine in the morning.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.
I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.
There’s something strange about theater. My characters consistently demonize elitism, but of course it’s taking place in a theater where only so many people can see it. I’ve been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
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