A Quote by Takeshi Kitano
I think my way of showing violence is unique from that of other filmmakers, in that when I show it, it hurts. It happens unexpectedly and looks painful. That's how it is in real life, and that's how it should be expressed. I don't glamorize it, nor do I depict it without necessity or inevitability.
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I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
To expect people to be good, to be just, to be temperate, etc., without showing them how they should become so, seems like the ineffectual charity mentioned by the apostle, which consisted in saying to the hungry, the cold and the naked, be ye fed, be ye warmed, be ye clothed, without showing them how they should get food, fire or clothing.
The number of those who do selfless public service and those who serve without expecting any return, should increase. Their sterling qualities should show the way to the people at large. Their life would be a model to show how man should conduct himself in public life.
A home life where it's so full of so many rigorous ideas about the way things should be, this word "should," I think is absolutely toxic to children. It hurts their personalities, it hurts their points of view in the world, it hurts their ability to be open and caring and curious. An element of allowance in a family, is, I think, really a positive thing.
I made a conscious decision when I was writing that book to depict in real time how I treated it, and how I thought about it, and how I portrayed it to other people, because I wanted the story to be one of change from that to a more honest appraisal, a more accepting appraisal of myself and other people in that world.
I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.
I think movies glamorize violence, in the sense that they make it in a way that it's either cool or funny.
Just live that life. It doesn't matter whether it is life or hell, life of the hungry ghost, life of the animal, it's okay; just live that life, see. And as a matter of fact no other way. Where you stand, where you are, that's what your life is right there, regardless of how painful it is or how enjoyable it is. That's what it is.
For when you see that the universe cannot be distinguished from how you act upon it, there is neither fate nor free will, self nor other. There is simply one all-inclusive Happening, in which your personal sensation of being alive occurs in just the same way as the river flowing and the stars shining far out in space. There is no question of submitting or accepting or going with it, for what happens in and as you is no different from what happens as it.
I think any time you have any kind of social ill, not just domestic violence...as much as it's about the act, the obvious theme of domestic violence, Domestic Violence Awareness Month is also about how men deal with their emotions. It's not just like who gets brutalized; sometimes it's women that are abusing men, too. I think it's just an opportunity for us to look at ourselves. How do we treat each other? Why do we treat each other that way?
Real isn't how you are made. It's a thing that happens to you. Sometimes it hurts, but when you are Real you don't mind being hurt. It doesn't happen all at once. You become. Once you are Real you can't be ugly, except to people who don't understand. Once you are Real you can't become unreal again. It lasts for always.
God looks not at the oratory of your prayers, how elegant they may be; nor at the geometry of your prayers, how long they may be; nor at the arithmetic of your prayers, how many they may be; not at logic of your prayers, how methodical they may be; but the sincerity of them he looks at.
I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.
Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show. And that's what I think is the neat thing about TV: how alive it is, and how the writers respond to the stimulus that they're getting from the actual actors. Whereas a movie is more hermetically sealed.
Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
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