I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
I think I am feeling comfortable in Bollywood more than in Hollywood because I have spent more time here now and I am understanding a lot of things. I am feeling pretty good here. I really don't plan on running off anywhere.
Certainly, I am writing as a 21st-century woman, so I am much more inclined to view her as a three-dimensional woman. I think we keep coming up with this stubborn problem of a woman being judged by her appearance rather than her accomplishments. We are much more inclined to ask: was Cleopatra beautiful?
We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.
I run; I am a coward at heart. I swear, when I smell violence or aggression the coward comes out in me. I have no desire to fight anybody except myself.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
Personally, I am more than ever inclined to believe that the Protocols of the Learned Elders of Zion are genuine. Without them I do not see how one could explain things that are happening today. More than ever, I think the Jews are at the bottom of all our troubles.
So far as I am concerned, I think more of reasons than of reputations, more of principles than of persons, more of nature than of names, more of facts than of faiths.
I am not a historian, but I find myself being more and more fascinated by history and now I find myself reading more and more about history. I am very interested in Napoleon, at the present: I'm very interested in battles, in wars, in Gallipoli, the First World War and so on, and I think that as I age I am becoming more and more historical. I certainly wasn't at all in my early twenties.
I tell myself it's a virtue, my failure to sleep in my own house, or at all. I tell myself that I spend more hours than most people aware that I am alive, and that over a lifetime this adds up to more living, more aliveness. I am more alive than the rest of my family. Which is my greatest night fear. Which is why I hunt. I don't ever want to be more alive than they are.
No More Games. No More Bombs. No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50. 17 more than I needed or wanted. Boring. I am always bitchy. No Fun — for anybody. 67. You are getting Greedy. Act your old age. Relax — This won't hurt
I would love to do more Hindi films, but I am very laid-back that way and wouldn't go looking for more films.
I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Without the benefit of Google, ask anybody to name more than five female filmmakers that have made more than three films. It's shockingly hard.
In any conflict area, it is always the women who are the first point of attack. But I think the more they have seen of oppression and violence, they have gotten more brave, more strong, more fearless than they were. You see this refusal to just keep quiet and do as you are told.