A Quote by Talcott Parsons
The part an actor played on stage was once written on a separate roll of paper.
Related Quotes
The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.
I played soccer, and I played in a band, and sometimes I was able to do a movie. And my school would cooperate. It was a very easy way to roll into what later became my profession. It's more innocent. When you're a child actor in the U.S., it's a different thing I think.
Rock 'n roll smells phony and false. It is sung, played and written for the most part by cretinous goons and by means of its almost imbecilic reiteration and sly, lewd, in plain fact, dirty lyrics ... manages to be the martial music of every side-burned delinquent on the face of the earth.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
There were lots of songs that were on 'It Still Moves' that I had written, and we had played - rehearsed, but also played live a couple of times - that could've gone on 'At Dawn', but we always knew we wanted to make a record that was more quote-unquote 'rock n' roll.'
I read the script, and I knew it was a good part. It was written for a white actor. That's what I'm up against - I have to try to make roles happen for me that aren't written black.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it.
Anybody who has ever played in bars has played 'Keep Your Hands to Yourself.' It's a monumental piece of rock & roll. It makes you feel exactly like rock & roll is supposed to make you feel.
I'm superstitious about the paper that I use, for example. I've written all my novels on a paper of a particular size with lines of a particular distance apart and with two holes in the paper for the folder clip.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
There is probably some great acting that goes on in movies from people who have never been on a stage, but if you are in for the long haul, you'd be missing an enormous part of what being an actor is if you're not part of theater.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
I have played some wonderful leading roles on stage and had the whole 'China Beach' years where I really played a leading man on that. That was a fun change for a character actor. But I'm perfectly happy going back to building my gallery of memorable character roles.
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