A Quote by Talib Kweli
I feel like I have way more resources, way more experience. I'm better. But my fans romanticize the earlier stuff, and I don't think it's just like a nostalgia thing of "He's not as good" - I think it's because that earlier stuff was aggressively marketed as a lifestyle to them.
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For sure I think that at the end of the day if I got started a little sooner on stuff that was more written more permanent I would have just made a lot of mistakes earlier. I don't know if it would have led to earlier success but I think it would have led to thicker skin and it would have gotten the ball rolling.
I just like stuff that's raw, itself, real and genuine. I think that's the way art should be. That's the kind of stuff that people can connect to more.
I feel like I'm getting better as a writer and as a singer and that there is more to discover there, so hopefully other people feel that way too without having to disassociate with the earlier work.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
I'm genuinely peaceful and positive. I feel more grounded and connected with everything - friends, family. And I think I've changed the way I deal with stuff recently; I'm trying to think of everything in a more positive way because if something gets me down, it'll really gets me down. The thing I wish I could do more of is train. It's the one thing I do that doesn't require any emotion.
I was working with D'Mile - he's amazing! And I don't know, it was like that guitar riff was so crazy to me, and so I think I was frustrated about something that happened earlier and I feel like I'm just a good guy, I don't cut people off, I don't really call people out when they do stuff that they should be called out on, and I'm just always the one being the bigger person. So, that day "Gangster" just came out. That's just how I feel in that day to day life.
The earlier stuff is more like "this is happening to me," but now there are more songs that are accusatory or something, or more declaratory. I don't know where that voice comes from, like, "I've been down the road, we've been there and done that." That's sort of like a tougher style, or a less vulnerable style.
If you can express something in the simplest way possible, I think there's something noble in that. It's easy to flesh stuff out and get all purple with it, being cryptic and wearing masks... I think it's a bit adolescent. I wanted to write in a way that was vulnerable. I wanted to have courage in stripping back the opaque stuff so it was just raw. I like lyrics that are a lifeline, that have a purpose to them and are not just meandering around in a masturbatory way. They cut the page.
I think screenplay is hard. I've tried that, and it felt really difficult; like, all the stuff I think I'm good at, like description and internal experience and memory, you can't do that - or, at least, I couldn't figure out a way.
I think because we're ourselves, we tend to think we're unique. 'I have problems that are just specific to me.' Then you connect with one of your parents and you realize, 'Oh yeah, we had all that stuff, too.' You're not that original. I mean, in a good way, because it makes you feel like you're connected and a part of the world and not an island.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
I feel like I have to be on my game because I have to handle my solo stuff and Pentatonix stuff, so it has really kept me on my toes in a good way.
I think there's kind of a wave of nostalgia going on right at the moment. You know, people recall an earlier time, which they see as a better time. And I think we just kind of evoke good thoughts when they look at us. That's the feeling I get.
I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
I think I approach my choices much the way I approach the way I consume movies and TV and stuff. I like everything, and sometimes I'll feel like a horror movie, and sometimes I'll just feel like an episode of 'Hoarders.'
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
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