A Quote by Talib Kweli

I think people are into me because of my music choices and my musicality. — © Talib Kweli
I think people are into me because of my music choices and my musicality.
In my case, of course, people had a lot of expectations, but that didn't pressurise me because I'm pretty confident about my musicality and my talent.
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
I think, for me, the goal was never really for my EPs to go mainstream. I think the intention of them was to create a little bit of buzz and to show my musicality because I wrote and produced the EPs myself. The goal was to experiment, with no rules.
I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
It's been a long time since Roe v. Wade, and I do think most people are able to have respect for other people's choices. Most people, I think, have accepted that it's not up to them to control other people's choices, except, it seems, when it comes to Washington, D.C., where everyone has an opinion about people's uteruses.
If 5000 people bought my record, I would appreciate those 5000 people. I make music for them because music isn't supposed to be so money driven. I didn't get into the music game because I wanted to make money. I sing because that's a God given talent of mine and it's something I love to do. If it's 10,000 or a million people, I'm going to give people the music they like from me. That's what being an artist is. Whoever likes your work, that's who you do it for.
I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made.
I think life is a matter of choices and that wherever we are, good or bad, is because of choices we make.
The people that call me to play on records call me because they think that I will suit their music. And the people whose music I suit are by and large people that I'm a fan of.
I think I always had a musicality, and I think I could tell a good song from a bad song. And I would appreciate hearing something that was new to me.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
It's the hardest thing for a young player to develop. At the same time a young player also has to deliver their musicality to the audience. I'm still developing my own sound, because you can never know all the music.
Also, I think having a musicality about me that helps in identifying different things in languages and getting them right.
Also, I think having a musicality about me, that helps in identifying different things in languages and getting them right.
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