A Quote by Talib Kweli
Fortunately, artists can live off their works, if you're creative at how you do it. If you just depend on the videos and the radio, you're at a loss.
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Artists frequently argue that videos trivialize a song and that touring for months at a time works against the creative process, not to mention maintaining a normal lifestyle. Doing something about these complaints, however, is rare because promotional videos and touring are considered essential elements in building multimillion-unit album sales.
I thought my first few jobs would just be off, off, off, off, off broadway. And by chance and how the world works, I ended up on a TV show instead.
If I could be lucky enough to just have radio as the base for the rest of my life, I could build off that. No matter how successful I become, I always look at radio as the only skill set I can really call on. I even know how to operate the boards.
I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
If I'm not touring I'd just be at home, just driving - I'm kind of at a loss for how that stuff works.
I'm a great believer in the hereafter, in karma, in reincarnation. It does make sense. I believe that God is not just a law-giver, but a creative artist. The greatest of all. And what characterises artists is that they want to redo their work. Maybe it didn't come off perfectly, so they want to see it done again, and improved. Reincarnation is a way for God to improve his earlier works.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
However, the radio and national media depend much more on the hype from a good record label, and from a " buzz " about a band, then from just one or two good shows. There are a lot of artists that have a ton of good press going for them, and still do not make it big in the US.
However, the radio and national media depend much more on the hype from a good record label, and from a ' buzz ' about a band, then from just one or two good shows. There are a lot of artists that have a ton of good press going for them, and still do not make it big in the US.
It's just so weird how you get so used to what we do: I could go in there and wrestle main events on Live Events for 25-30 minutes, but I couldn't really get the sheets off me in bed. It's weird how that works. Your body just adapts.
I've just been learning how to direct my own videos, choreography, doing costumes... every creative opportunity there is with my music I've taken.
The refusal to be creative is an act of self-will and is counter to our true nature. When we are open to our creativity, we are opening to God: good, orderly direction. As we pursue our creative fulfillment, all elements of our life move toward harmony. As we strengthen our creativity, we strengthen our connection to the Creator within. Artists love other artists. Our relationship to God is co-creative, artist to artist. It is God's will for us to live in creative abundance.
When I started out I thought just hearing one of my records on the radio would be magical. Fortunately, that naivety has always stayed with me. Because when you've had massive success and it tapers off people lose interest in you. So you have to work even harder to generate interest.
For each person, they live their life and their truth and how it works for them, and that's just kind of how it works for me. I'm not good at doing whatever the other way is - it wouldn't work for me.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
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